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Elizabeth Woodville is a woman of extraordinary beauty and ambition. Her mother is Jacquetta, also known as the mystical lady of the rivers, and she is even more determined to bring power and wealth to the family line. While riding in the woods one day, Elizabeth captures the attentions of the newly crowned King Edward IV and, despite her common upbringing, marries him in secret.
When she is raised up to be his queen, the English court is outraged, but Elizabeth rises to the demands of her exalted position and fights for her family's dominance. Yet despite her best efforts, and even with the help of her mother's powers, her two sons become pawns in a famous unsolved mystery that has confounded historians for centuries: the lost princes in the Tower of London.
In this dazzling account of the deadly Wars of the Roses, brother turns on brother to win the ultimate prize: the throne of England.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page 105.
- Review Date: 2009-06-29
- Reviewer: Staff
The queen of British historical fiction (The Other Boleyn Girl) kicks off a new series with the story of Elizabeth Woodville Grey, whose shifting alliances helped the War of the Roses take root. The marriage of 22-year-old Yorkist King Edward IV to 27-year-old widow Elizabeth brings a sea change in loyalties: Elizabeth's Lancastrian family becomes Edward's strongest supporters, while Edward's closest adviser, the ambitious earl of Warwick, joins with Edward's brother George to steal the English crown. History buffs from Shakespeare on have speculated about this fateful period, especially the end of Edward and Elizabeth's two sons, and Gregory invents plausible but provocative scenarios to explore those mysteries; she is especially poignant depicting Elizabeth in her later years, when her allegiance shifts toward Richard III (who may have killed her sons). Gregory earned her international reputation evoking sex, violence, love and betrayal among the Tudors; here she adds intimate relationships, political maneuvering and battlefield conflicts as well as some well-drawn supernatural elements. Gregory's newest may not be as fresh as earlier efforts, but she captures vividly the terrible inertia of war. (Aug.)