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Miss Anne in Harlem : The White Women of the Black Renaissance
by Carla Kaplan

Overview -

New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: the story of a group of women collectively dubbed "Miss Anne."

Sexualized and sensationalized in the mainstream press--portrayed as monstrous or insane--Miss Anne was sometimes derided within her chosen community of Harlem as well.  Read more...


 
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More About Miss Anne in Harlem by Carla Kaplan
 
 
 
Overview

New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: the story of a group of women collectively dubbed "Miss Anne."

Sexualized and sensationalized in the mainstream press--portrayed as monstrous or insane--Miss Anne was sometimes derided within her chosen community of Harlem as well. While it was socially acceptable for white men to head uptown for "exotic" dancers and "hot" jazz, white women who were enthralled by life on West 125th Street took chances. Miss Anne in Harlem introduces these women--many from New York's wealthiest social echelons--who became patrons of, and romantic participants in, the Harlem Renaissance. They include Barnard College founder Annie Nathan Meyer, Texas heiress Josephine Cogdell Schuyler, British activist Nancy Cunard, philanthropist Charlotte Osgood Mason, educator Lillian E. Wood, and novelist Fannie Hurst--all women of accomplishment and renown in their day. Yet their contributions as hostesses, editors, activists, patrons, writers, friends, and lovers often went unacknowledged and have been lost to history until now.

In a vibrant blend of social history and biography, award-winning writer Carla Kaplan offers a joint portrait of six iconoclastic women who risked ostracism to follow their inclinations--and raised hot-button issues of race, gender, class, and sexuality in the bargain. Returning Miss Anne to her rightful place in the interracial history of the Harlem Renaissance, Kaplan's formidable work remaps the landscape of the 1920s, alters our perception of this historical moment, and brings Miss Anne to vivid life.

 
Details
  • ISBN-13: 9780060882389
  • ISBN-10: 0060882387
  • Publisher: Harper Torch
  • Publish Date: September 2013
  • Page Count: 544


Related Categories

Books > Biography & Autobiography > Cultural Heritage
Books > Biography & Autobiography > Women
Books > Biography & Autobiography > Historical - General

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2013-06-03
  • Reviewer: Staff

Northeastern University literature and gender studies scholar Kaplan (Zora Neale Hurston: A Life in Letters) shares the previously untold story of a group of notable white women who embraced black culture—and life—in Harlem in the 1920s and ’30s. Collectively known as “Miss Anne,” these women served as hostesses, patrons, activists, comrades, lovers, writers, and editors at a time when the Ku Klux Klan was at its height, and when a white woman who became intimate with a “Negro” faced almost certain ostracism. A captivating group biography and social history, the book focuses on six women: Lillian Wood (Let My People Go), a teacher at a small black college; Josephine Cogdell Schuyler, a Texan heiress who married black journalist George Schuyler and became a writer herself, yet had to keep her interracial marriage hidden from her family; Barnard college founder Annie Nathan Meyer; influential patron Charlotte Osgood Mason; novelist Frannie Hurst; and English heiress Nancy Cunard. An empathetic and skillful writer, Kaplan has produced a valuable addition to the history of the period. As she shows, Miss Anne defied categorization, transcending her race, class, and gender, and introducing many of the ideas we hold today about inclusiveness and self-reinvention. 54 b&w photos and two 8-page color inserts. Agent: Brettne Bloom, Kneerim & Williams. (Sept.)

 
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