Fifteen-year-old Charley Thompson wants a home, food on the table, and a high school he can attend for more than part of a year. But as the son of a single father working in warehouses across the Pacific Northwest, Charley's been pretty much on his own.Read more...
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Fifteen-year-old Charley Thompson wants a home, food on the table, and a high school he can attend for more than part of a year. But as the son of a single father working in warehouses across the Pacific Northwest, Charley's been pretty much on his own. When tragic events leave him homeless weeks after their move to Portland, Oregon, Charley seeks refuge in the tack room of a run-down horse track. Charley's only comforts are his friendship with a failing racehorse named Lean on Pete and a photograph of his only known relative. In an increasingly desperate circumstance, Charley will head east, hoping to find his aunt who had once lived a thousand miles away in Wyoming--but the journey to find her will be a perilous one.
In Vlautin's third novel, Lean on Pete, he reveals the lives and choices of American youth like Charley Thompson who were failed by those meant to protect them and who were never allowed the chance to just be a kid.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page 28.
- Review Date: 2010-02-08
- Reviewer: Staff
A blend of road novel and not-quite hard luck story, the latest from Vlautin (The Motel Life) begins when 15-year-old Charley Thompson and his father move from Spokane, Wash. to Portland, Ore., to give starting over yet another try. When Charley’s dad takes up with a married secretary and stops coming home, Charley takes a job with Del Montgomery, a crank based out of the nearby racetrack who, among other things, shoots up a horse with vodka. After Charley’s father dies from wounds suffered during a fight with his lover’s husband, Charley, whom Vlautin has conveniently given the pastime of running, runs away with Pete, a horse and his only friend. This is where the narrative sours; Charley’s trek across the West, occasionally on horseback, is dominated by an unbelievable stretch of luck: men appear to dispense food and money, miraculously uninhabited trailers contain washers and dryers, and his hitchhiking is eerie, but not dangerous. Still, Vlautin’s characters, despite their unrealistic arcs, shine with his sparse style. It might be difficult to believe Charley’s bottomless cache of silver linings, but it’s remarkably easy to root for the kid. (Apr.)