In The Media
July 23, 2013
It is 1866, and Walter Moody has come to stake his claim in New Zealand's booming gold rush. Read more...
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It is 1866, and Walter Moody has come to stake his claim in New Zealand's booming gold rush. On the stormy night of his arrival, he stumbles across a tense gathering of 12 local men who have met in secret to discuss a series of unexplained events: a wealthy man has vanished, a prostitute has tried to end her life, and an enormous cache of gold has been discovered in the home of a luckless drunk. Moody is soon drawn into a network of fates and fortunes that is as complex and exquisitely ornate as the night sky.
Richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust, THE LUMINARIES is at once a fiendishly clever ghost story, a gripping page-turner, and a thrilling novelistic achievement. It richly confirms that Eleanor Catton is one of the brightest stars in the international literary firmament.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-09-30
- Reviewer: Staff
With a knack for conveying robust detail in an economy of straightforward language, Catton (The Rehearsal) untangles a dazzling knot of interwoven lives to explain how the town hermit, Crosbie Wells, wound up dead and the town whore, Anna Wetherell, drugged and disoriented. Her chosen setting—the New Zealand gold rush, and central figure—the fish-out-of-water Walter Moody, contribute to an atmosphere ripe for storytelling. And, from the beginning, this is the heart-pounding sport of the manifold suspects, witnesses, and possible accomplices. The shipping merchant Balfour tells of receiving politician Lauderback's tale of mischief, of involvement with one Lydia Wells...or Carver...or Greenway, she who is supposedly the wife of both the hermit Wells and his purportedly murderous brother, Francis Carver; and she who represents the planetary force of desire. Lauderback's recounting of lascivious involvement with her gives way to the story of the thug Carver overtaking Lauderback's vessel the Godspeed and setting the politician up for a fall, which gives way to an Irish Free Methodist minister overhearing the divulgence and adding his bit: he attended to both the whore and the deceased hermit. His story opens onto another, which inspires another, and so forth. With a calculated old-world syntax by which the tamest of swear words are truncated, Catton artfully restrains her verse, and she occasionally breaks the fourth wall—reminding readers that this story is about, above all things, the excitement of storytelling. (Oct.)