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When Women Were Birds : Fifty-Four Variations on Voice
by Terry Tempest Williams

Overview - The beloved author of "Refuge" returns with a work that explodes and startles, illuminates and celebrates
Terry Tempest Williams's mother told her: "I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone."
Readers of Williams's iconic and unconventional memoir, "Refuge," well remember that mother.
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More About When Women Were Birds by Terry Tempest Williams
 
 
 
Overview
The beloved author of "Refuge" returns with a work that explodes and startles, illuminates and celebrates
Terry Tempest Williams's mother told her: "I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone."
Readers of Williams's iconic and unconventional memoir, "Refuge," well remember that mother. She was one of a large Mormon clan in northern Utah who developed cancer as a result of the nuclear testing in nearby Nevada. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them.
"They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother's journals were blank." What did Williams's mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. "When Women Were Birds" is a kaleidoscope that keeps turning around the question "What does it mean to have a voice?"


 
Details
  • ISBN-13: 9780374288976
  • ISBN-10: 0374288976
  • Publisher: Sarah Crichton Books
  • Publish Date: April 2012
  • Page Count: 224


Related Categories

Books > Biography & Autobiography > Women

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2012-02-20
  • Reviewer: Staff

Williams, the sensitive author of Refuge, is shocked to discover her deceased mother’s unwritten memoirs—shelves worth of blank pages. Under such unpromising circumstances commences a kaleidoscopic celebration and palimpsest—all metaphorical clichés but apt—on finding a voice and woman’s identity beyond the silenced, selfless existence informed by children and a husband—even a family brimming with love. The empty pages of a journal manifest a hermeneutics of suspicion: the white upon which to project a lifelong journey of self-discovery. In 54 meditations (one for each year of her mother’s life, and of Williams’s life to date), we learn about an unusual (patriarchal) Mormon background and an upbringing that included a season of homeschooling in Hawaii, encounters with a husband-and-wife team of John Birchers while teaching high school biology , a job at the Museum of Natural History in New York City, and the meeting of her future mate over a discussion of books and birds. Among deep influences are Nobel Peace Prize–winner and environmentalist Wangari Maathai; Hélène Cixous; Clarice Lispector; the secret-women’s language of China, Nüshu; and the soaring operas of Richard Strauss. “If a man knew what a woman never forgets, he would love her differently,” Williams declares in her bighearted, deliberative hymn: old themes newly warbled. Agent: Carl Brandt, Brandt & Hochman Literary Agents. (Apr.)

 
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