"The Magicians "is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea. . . . Hogwarts was never like this. Read more...
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"The Magicians "is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea. . . . Hogwarts was never like this.
George R.R. Martin
Sad, hilarious, beautiful, and essential to anyone who cares about modern fantasy.
A very knowing and wonderful take on the wizard school genre.
"The Magicians "may just be the most subversive, gripping and enchanting fantasy novel I ve read this century.
This gripping novel draws on the conventions of contemporary and classic fantasy novels in order to upend them... an unexpectedly moving coming-of-age story.
" The New Yorker"
The best urban fantasy in years.
" A.V. Club"
Quentin Coldwater is brilliant but miserable. A high school math genius, he s secretly fascinated with a series of children s fantasy novels set in a magical land called Fillory, and real life is disappointing by comparison. When Quentin is unexpectedly admitted to an elite, secret college of magic, it looks like his wildest dreams have come true. But his newfound powers lead him down a rabbit hole of hedonism and disillusionment, and ultimately to the dark secret behind the story of Fillory. The land of his childhood fantasies turns out to be much darker and more dangerous than he ever could have imagined. . . .
The prequel to the "New York Times "bestselling book "The Magician King "and the #1 bestseller"The Magician's Land," "The Magicians" is one of the most daring and inventive works of literary fantasy in years. No one who has escaped into the worlds of Narnia and Harry Potter should miss this breathtaking return to the landscape of the imagination.
"From the Trade Paperback edition.""
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page 29.
- Review Date: 2009-06-01
- Reviewer: Staff
Harry Potter discovers Narnia is real in this derivative fantasy thriller from Time book critic Grossman (Codex). Quentin Coldwater, a Brooklyn high school student devoted to a children’s series set in the Narnia-like world of Fillory, is leading an aimless existence until he’s tapped to enter a mysterious portal that leads to Brakebills College, an exclusive academy where he’s taught magic. Coldwater, whose special gifts enable him to skip grades, finds his family’s world “mundane and domestic” when he returns home for vacation. He loses his innocence after a prank unintentionally allows a powerful evil force known only as the Beast to enter the college and wreak havoc. Eventually, Coldwater’s powers are put to the test when he learns that Fillory is a real place and how he can journey there. Genre fans will easily pick up the many nods to J.K. Rowling and C.S. Lewis, not to mention J.R.R. Tolkien in the climactic battle between the bad guy and a magician. 5-city author tour. (Aug.)
Critic’s novel has a magic touch
In his third novel, Time magazine book critic Lev Grossman deftly and unabashedly walks the line between literary and genre fiction, creating a world of both fantasy and gritty psychological realism. Think J.K. Rowling meets C.S. Lewis meets Donna Tartt.
At the book’s start, high school senior Quentin Coldwater—brilliant, misunderstood and obsessed with a series of children’s books set in a magical land—is trying his hardest to escape his predictable Brooklyn adolescence. That is, until he is unexpectedly admitted to a prestigious college in upstate New York: Brakebills, the pre-eminent American institute for budding magicians. There, students slave away over potions and spells and are occasionally transformed into flocks of geese. For Quentin, this is eye-opening. His talents are nurtured, his limits pushed.
But it’s not all rainbows and broomsticks. There are also the tiny triumphs and trials of any college experience: competition, stress, sex, drugs, heartbreak and the looming uncertainty of graduation and the world beyond. Quentin and his friends move to Manhattan after finishing wizard school, where they live in a cramped apartment, get drunk, sleep with one another and wonder what good their prestigious magic education is actually doing them—and why their childhood fantasies were so off-base.
And it’s here that Grossman’s true cleverness comes into play. For, as much as The Magicians is an allegorical romp about “growing up” in a Harry Potter world (though, admittedly, with a bit more R-rated language), it is also an astute piece of criticism of the way in which literature sets up expectations that no real—or magical—world can ever live up to. Eventually, Quentin learns that the land from his books does, in fact, exist. But, like much in life, it’s not at all as he’d imagined it.
Grossman’s highly acclaimed previous novel, Codex, also asked readers to put aside preconceptions and give themselves over to a fictional world. It’s a testament to the author’s astounding creativity and delicate sensitivity that we are once again so willing to do so.
Jillian Quint is an editor at a publishing house in New York. She lives in Brooklyn.