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- Finding the Dragon Lady
Monique Brinson Demery
We see the quintessential Brooklyn girl whose family was in fact of old New England stock . . . her years in New York as a dancer and Broadway star . . . her fraught mar-riage to Frank Fay, Broadway genius, who influenced a generation of actors and comedians (among them, Jack Benny and Stanwyck herself ) . . . the adoption of a son, embattled from the outset; her partnership with the "unfunny" Marx brother, Zeppo, crucial in shaping the direction of her work, and who, together with his wife, formed a trio that created one of the finest horse-breeding farms in the west; her fairy-tale romance and marriage to the younger Robert Taylor, America's most sought-after-- and beautiful--male star.
Here is the shaping of her career with many of Hol-lywood's most important directors: among them, Frank Capra, "Wild Bill" William Wellman ("When you get beauty and brains together," he said, "there's no stopping the lucky girl who possesses them. The best example I can think of is Barbara"), King Vidor, Cecil B. De Mille, and Preston Sturges, all set against the times--the Depression, the New Deal, the rise of the unions, the advent of World War II--and a fast-changing, coming-of-age motion picture industry.
And here is Stanwyck's evolution as an actress in the pictures she made from 1929 through the summer of 1940, where Volume One ends--from her first starring movie, "The Locked Door "("An all-time low," she said. "By then I was certain that Hollywood and I had nothing in common"); and "Ladies of Leisure," the first of her six-picture collaboration with Frank Capra ("He sensed things that you were trying to keep hidden from people. He knew. He just knew"), to the scorching "Baby Face," and the height of her screen perfection, beginning with "Stella Dallas" ("I was scared to death all the time we were making the pic-ture"), from Clifford Odets's "Golden Boy" and the epic "Union Pacific" to the first of her collaborations with Preston Sturges, who wrote "Remember the Night," in which she starred.
And at the heart of the book, Stanwyck herself--her strengths, her fears, her frailties, her losses and desires; how she made use of the darkness in her soul in her work and kept it at bay in her private life, and finally, her transformation from shunned outsider to one of Holly-wood's--and America's--most revered screen actresses.
Writing with the full cooperation of Stanwyck's family and friends, and drawing on more than two hundred interviews with actors, directors, cameramen, screen-writers, costume designers, et al., as well as making use of letters, journals, and private papers, Victoria Wilson has brought this complex artist brilliantly alive. Her book is a revelation of the actor's life and work.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-11-11
- Reviewer: Staff
In this well-researched tome, the first of two-volumes, Knopf vice president and senior editor Wilson offers an exhaustive account of the life of Ruby Stevens, better known as Barbara Stanwyck, the beloved actress from Hollywood's golden age. Beginning with a brief history of the Stevens family, dating back to 1740, and ending at the height of WWII with Stanwyck's work on Frank Capra's 1941 film Meet John Doe, the book offers a rich chronological look at the actress's rise from Vaudeville chorus girl to Hollywood star. We follow Ruby through the early 1920s on Broadway, her friendship with Mae West, her audition as a Ziegfeld girl, her turn from dancer to actress, and then Ruby to Barbara, her work with Frank Capra, and even her first mink coat. Her life in the studio system and her troubled marriage to the abusive Broadway legend Frank Fay are among the most interesting sections. The Hollywood players and the climate of fear around the Great Depression and WWII are also captured, as are numerous pictures of Stanwyck and the stars of the day. Wilson includes a wealth of intriguing material but her meticulous research weighs heavily on the narrative, making it hard to plow through. Nevertheless, history buffs and fans will be educated, if not always entertained. Agent: Helen Brann, Helen Brann Agency. (Nov.)