Once upon a time, there was a strung-out match girl who sold CDs to stoners. Twelve impetuous sisters escaped King Daddy's clutches to jiggle and cavort and wear out their shoes. Read more...
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Once upon a time, there was a strung-out match girl who sold CDs to stoners. Twelve impetuous sisters escaped King Daddy's clutches to jiggle and cavort and wear out their shoes. A fickle Thumbelina searched for a tiny husband, leaving bodies in her wake. And Little Red Riding Hood confessed that she kind of "wanted" to know what it's like to be swallowed whole. From bloodied and blinded stepsisters (they were duped) to a chopped-off finger flying into a heroine's cleavage, this is fairy tale world turned upside down. Ron Koertge knows what really happened to all those wolves and maidens, ogres and orphans, kings and piglets, and he knows about the Ever After. So come closer
-- he wants to whisper in your ear.
- ISBN-13: 9780763644062
- ISBN-10: 0763644064
- Publisher: Candlewick Press (MA)
- Publish Date: July 2012
- Page Count: 87
- Reading Level: Ages 14-UP
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2012-05-07
- Reviewer: Staff
With sardonic wit and a decidedly contemporary sensibility, Koertge (Shakespeare Bats Cleanup) retells 23 classic fairy tales in free verse, written from the perspectives of iconic characters like Little Red Riding Hood, as well as maligned or minor figures such as the Mole from Thumbelina and Cinderella’s stepsisters. For the princess from the Princess and the Pea, hypersensitivity isn’t all that great (“A puppy licked me and I’ve still got a scar”), and the Little Match Girl appears in a poem with the rhythm of a rap song (“She’s selling CDs on the corner,/ fifty cents to any stoner,/ any homeboy with a boner”). Several stories trade happily ever after for disappointment and discontent, as with the danger-addicted queen in Rumpelstiltskin, or with Rapunzel, who is left with a moody prince instead of the attentive witch who locked her in. Dezsö’s cut-paper Scherenschnitte-style silhouettes nod toward Hans Christian Andersen’s own papercuts—if Andersen were creating a storyboard for the Saw franchise. From Bluebeard’s beheaded wives to a bloody dismemberment in “The Robber Bridegroom,” there are gruesome surprises throughout. A fiendishly clever and darkly funny collection. Ages 14–up. (July)