Wells Tower says of Gurganus, "No living writer knows more about how humans matter to each other." Such ties of love produce hilarious, if wrenching, complications: "Fear Not" gives us a banker's daughter seeking the child she was forced to surrender when barely fifteen, only to find an adult rescuer she might have invented.Read more...
Wells Tower says of Gurganus, "No living writer knows more about how humans matter to each other." Such ties of love produce hilarious, if wrenching, complications: "Fear Not" gives us a banker's daughter seeking the child she was forced to surrender when barely fifteen, only to find an adult rescuer she might have invented. In "Saints Have Mothers," a beloved high school valedictorian disappears during a trip to Africa, granting her ambitious mother a postponed fame that turns against her. And in a dramatic "Decoy," the doctor-patient friendship between two married men breaks toward desire just as a biblical flood shatters their neighborhood and rearranges their fates.
Gurganus finds fresh pathos in ancient tensions: between marriage and Eros, parenthood and personal fulfillment. He writes about erotic hunger and social embarrassment with Twain's knife-edged glee. By loving Falls, Gurganus dramatizes the passing of Hawthorne's small-town nation into those Twitter-nourished lives we now expect and relish.
Four decades ago, John Cheever pronounced Allan Gurganus "the most technically gifted and morally responsive writer of his generation." Local Souls confirms Cheever's prescient faith. It deepens the luster of Gurganus's reputation for compassion and laughter. His black comedy leaves us with lasting affection for his characters and the aching aftermath of human consequences. Here is a universal work about a village.
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Gurganus revisits small-town setting
Falls, North Carolina, is a mythical, mystical place. On the surface, it seems to be a charming town filled with the sort of “aw shucks” folks you would expect to populate a remote Southern area. But dive in deeper and you’ll find a complex web of lives and relationships.
Allan Gurganus returns to this setting, which he established in his 1989 bestseller The Oldest Living Confederate Widow Tells All, in Local Souls, a collection of three linked novellas. Though the characters’ paths may lead them away from Falls, they all circle back eventually.
In “Fear Not,” a teenage girl earns herself a long-lasting moniker when she bellows out a single line in the town Christmas pageant. The name sticks with her as she witnesses her father’s horrific death and as she sorts through the emotions (or, sometimes, lack thereof) that follow.
The second tale, “Saints Have Mothers,” again revolves around fascination with a teen girl. Caitlin is beloved by all in Falls. When she goes missing, the town falls apart—but her doting mother at last finds herself the center of attention. “Decoy” draws parallels between the lives and upbringing of two of Falls’ upstanding men—and there’s more than a competitive spirit at work.
These stories are often dark, but they’re rendered with a light hand. Gurganus ably brings out the joy and absurdity in all manner of life’s twists and turns.