Clara Lawson is torn from her life in an instant. Read more...
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Clara Lawson is torn from her life in an instant. Without warning, her home is invaded by armed men, and she finds herself separated from her beloved husband and daughters. The last thing her husband yells to her is to say nothing. In chapters that alternate between past and present, the novel slowly unpeels the layers of Clara's fractured life. We see her growing up, raised with her sisters by the stern Mama and Papa G, becoming a poised and educated young woman, falling desperately in love with the forbidden son of her adoptive parents. We see her now, sequestered in an institution, questioned by men and women who call her a different name--Diana--and who accuse her husband of unspeakable crimes. As recollections of her past collide with new revelations, Clara must question everything she thought she knew, to come to terms with the truth of her history and to summon the strength to navigate her future.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2016-05-02
- Reviewer: Staff
The FBI agents raiding Clara Lawson’s rural homestead in the shadow of the Rockies shatter not only the door but almost every aspect of life as the 23-year-old knows it in therapist Olsen’s suspenseful but disturbing debut about a human trafficking operation. Initially, the only reality Clara can remember is with forbidding Papa G, stern Mama Mae, and their son, Glen. She’s one of an endless stream of girls to be trained for supposedly bright futures with wealthy “clients.” But as her confinement in a psychiatric facility continues, with FBI interrogation, individual therapy sessions, and, eventually, participation in a support group, Clara starts to face some of the darker aspects of her past—and the gut-wrenching choices that will define her future. Olsen does her best to make Clara sympathetic, but Clara’s rosy naïveté about the horrific reality of her situation can be difficult to take. Readers will struggle to relate to a character who may be at once a victim and a victimizer. Agent: Sharon Pelletier, Dystel & Goderich. (Aug.)
Whodunit: The evolving Hydra of crime and its investigation
Peter Robinson’s latest thriller, When the Music’s Over, finds beloved Detective Superintendent Alan Banks investigating a charge of sexual assault lodged against a popular entertainer. The alleged incident took place some 50 years ago, and the entertainer, now in his 80s, vehemently denies the charges. Pursuing the case will prove challenging for Banks, as the original case files have gone missing, so he must piece together stray bits of evidence as best he can. Compounding the issue is the fact that his right-hand woman, Detective Inspector Annie Cabbot, is embroiled in the investigation of an equally lurid case: A teenage girl was abducted and raped, then thrown out of a van to the side of the road, where she was picked up by another driver who proved to be anything but a savior. Either case would make a good standalone novel, but the juxtaposition of the decades-old case and its horrifying modern counterpart makes for a compelling look at the evolution of crime and its investigation over the past 50 years.
HEADS ON A ROLL
The hands-down best mystery novels of the past decade have come out of Scandinavia, and Anne Holt’s Dead Joker does nothing to break that string. Holt is Norway’s #1 bestselling female crime writer, and Jo Nesbø dubbed her “the godmother of modern Norwegian crime fiction.” Edgy Detective Inspector Hanne Wilhelmsen returns for her fifth adventure, this time investigating the decapitation death of the wife of a chief public prosecutor. Naturally the new widower falls under immediate suspicion; after all, the husband always does it, right? He in turn lays the blame on a man he prosecuted years before, but a witness comes forth to say that he saw that man commit suicide some days earlier. Hmm. But then a remarkably similar fate befalls a journalist at an Oslo newspaper, and while one beheading may be an aberration, a second in as many weeks suggests something more sinister. Originally published in Norway in 1999, Dead Joker is just now finding its way stateside, and therefore some of the more modern crime-solving paraphernalia and techniques are not at hand. The story is no less compelling for that and is indeed a first-rate thriller through and through.
WHO IS SHE?
Easily the most disturbing and unsettling book I have read this year is Rena Olsen’s debut novel, The Girl Before, the first-person tale of a woman in the throes of upending everything she holds to be real and true. Her name is Clara—or perhaps it’s Diana, as that’s what the people who broke into her house and abducted her insist on calling her. They also took her husband, Glen, and her daughter, Daisy, and have been keeping them apart since the kidnapping. Glen’s enigmatic final words to her as they were separated were “Say nothing!” And although her captors interrogate her on a daily basis, she obeys his command. As the chapters unfold, alternating between Clara’s past and her present-day incarceration, the reader begins to get the sense that she is at once a victim and a perpetrator (or at the very least an enabler) of a human trafficking organization. But as in the best suspense novels, there are mysteries within mysteries, and all is not what it seems—not to Clara, and definitely not to the reader.
TOP PICK IN MYSTERY
Of all the mystery books set in post-revolution Laos, in which the protagonist is a sorta-retired coroner periodically inhabited by the spirit of a long-dead shaman, Colin Cotterill’s Dr. Siri books are found right at the front of the pack. Actually, they constitute the entire pack, now 11 strong. The latest installment, I Shot the Buddha, finds the elderly (in body only) Dr. Siri tasked with helping a Buddhist monk slip across the Mekong River to Thailand. There is some danger, and certainly some illegality, associated with this endeavor, but Siri has never been one to shy away from conflict, particularly when there’s an opportunity to put one over on his annoying Communist government “minders.” Aided and abetted by his wife, the kindly yet wickedly clever Madame Daeng, Siri navigates the metaphorical minefields where religion, spirituality and government (particularly the anti-religion Communist government) come into contact (and conflict) with one another. Cotterill excels in the portrayal of potentially serious and momentous topics with lighthearted humor, imbuing his characters with grace and empathy in the midst of a particularly difficult chapter of Southeast Asia’s history.