A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. Read more...
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A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. A particular woman catches his eye; nature takes its course. Later that night, Napoleon Bonaparte writes a meticulous account of his first sexual encounter.
An aristocratic woman, fleeing the Louvre, takes a wrong turn and loses her way in the nameless streets of the Left Bank. For want of a map there were no reliable ones at the time Marie-Antoinette will go to the guillotine.
Baudelaire, Baron Haussmann, the real-life Mimi of "La Boheme," Proust, Charles de Gaulle (who is suspected of having faked an assassination attempt on himself in Notre Dame) these and many more make up Robb's cast of characters. The result is a resonant, intimate history with the power of a great novel."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2010-07-26
- Reviewer: Staff
This audiobook version of Graham Robb's volume of strange-but-true Parisian narratives offers listeners a fascinating history that is frequently encumbered by heavy-handed, often overblown narration from Simon Vance. Robb offers a series of bizarre tales that touch on everything from the first sexual experience of Napoleon Bonaparte to the creation of the Catacombes de Paris, but Vance narrates as if all of Parisian history is weighing on him: his reading is too grand, overly inflated, and pompous, his French accent frequently fails to ring true, and it simply sounds as if he is trying too hard to narrate what should have been an intriguing and charming audiobook. A Norton hardcover (Reviews, Mar. 1). (May)
Before and after
There’s always a sense of before and after as we move through the days and decades of our lives, marked by major or minor events. But when a cataclysm strikes, life is forever divided. “Before” becomes a fairy tale of ordinary happiness and “after” a hell to be achingly endured, filled with anguish over what might have been. Mary Beth Latham, a loving wife and devoted mother of three very different teenagers, is the narrator and protagonist of Every Last One, Anna Quindlen’s latest, intensely affecting novel. Always an eloquent, empa- thetic observer of the daily domes- tic simmer and the complexities of being a mother, she gives a bravura performance here, movingly mirrored by Hope Davis’ fine reading. The Lathams are a believable family with fairly predictable problems— a brush with anorexia, one twin a super-athlete, the other engulfed in adolescent alienation—offset by their closeness, laughter and love. When the unimaginable happens, Quindlen evokes what it feels like to find that the fullness of time might be empty, and to go on anyway.
VOICES OF THE CITY OF LIGHT
Summer, with its heat waves and waves of tourists, may not be the best time to hang out in Paris, but it’s a perfect time to luxuriate in a shady spot and let yourself be taken on an anecdotal audio excursion
through its history and streets. In Parisians: An Adventure History of Paris, prize-winning biographer, historian and fervent Francophile Graham Robb gives us charmingly nonsequential, wonderfully etched portraits-in-time of this fabulous, fabled city as it grew from an island in the Seine into a sprawling European capital. Paris is revealed through a “mini-Human Comedy,” recounted by many different voices, all brought to life by Simon Vance’s quintessentially elegant voice, from the young Napoleon as he loses his virginity at the Palais Royale in 1787 to Baron Hauss- mann, Madame Zola, Vidocq, Proust, de Gaulle, Nicolas Sarkozy, the newer immigrants who live in the poor, unsightly, outlying quartiers and many more. The “adventures” here make history vital, witty and entertaining.
AUDIO OF THE MONTH
I’m a big fan of Richard North Patterson; he never shies away from taking on major issues and weaving them into taut legal thrillers. His courtroom scenes, with their edgy retorts and rebuttals, showcase the immediacy and emotional force of a good audio performance. That force is front and center as John Bedford Lloyd skillfully narrates In the Name of Honor, Patterson’s newest and one of his best. Honor, specifically the military variety, is under scrutiny, but so is PTSD and its devastating effects on our combat forces. Lt. Brian McCarran, son of the current army chief of staff, recently back from a harrowing tour in Iraq, shoots his commanding officer, a man married to his lifelong friend. Capt. Paul Terry, a brilliant young JAG lawyer, is called in to defend Brian in a high-profile court-martial, with Brian’s older sister, a lawyer, equally brilliant— and beautiful—as co-counsel. As Terry searches for the truth, piecing intricate interrelationships together, “honor” becomes suffused with ambiguity, secrets surface, and we’re in for a doozy of a denouement.