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More About Whistling Past the Graveyard by Susan CrandallOverviewIn the summer of 1963, nine-year-old spitfire Starla Claudelle runs away from her strict grandmother's Mississippi home. Starla hasn't seen her momma since she was three--that's when Lulu left for Nashville to become a famous singer. Starla's daddy works on an oil rig in the Gulf, so Mamie, with her tsk-tsk sounds and her bitter refrain of "Lord, give me strength," is the nearest thing to family Starla has. After being put on restriction yet again for her sassy mouth, Starla is caught sneaking out for the Fourth of July parade. She fears Mamie will make good on her threat to send Starla to reform school, so Starla walks to the outskirts of town, and just keeps walking. . . . If she can get to Nashville and find her momma, then all that she promised will come true: Lulu will be a star. Daddy will come to live in Nashville, too. And her family will be whole and perfect. Walking a lonely country road, Starla accepts a ride from Eula, a black woman traveling alone with a white baby. The trio embarks on a road trip that will change Starla's life forever. She sees for the first time life as it really is--as she reaches for a dream of how it could one day be.
- The Invention of Wings
Sue Monk Kidd
Publishers Weekly Reviews
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-05-13
- Reviewer: Staff
Known for her romantic suspense novels, Crandall takes a fumbling step into book club–style women’s fiction with a derivative, if well-intentioned, Civil Rights–era bildungsroman. Stubborn, sassy, nine-year-old Starla Jane Claudelle lives with her grandmother Mamie in smalltown Mississippi. Her father works on an oil rig and her mother has been absent since Starla was three, seeking her fortune as a singer in Nashville. After a series of misbehaviors, Starla runs away, fearing her grandmother’s discipline and hoping for a reunion with her mother. Along the way, she meets Eula, an African-American woman who has taken custody of a white baby, much to her abusive, alcoholic husband’s dismay. Starla and Eula soon find themselves on the run together, dodging one-dimensional racists and receiving assistance from wise and accepting African-Americans. Starla’s fiery independence makes her a likeable narrator, which compensates somewhat for the underdeveloped adult characters and unbelievable plot points. While Starla’s story lacks the elegance of The Secret Life of Bees or the emotional intensity of The Dry Grass of August, fans of simple feel-good coming-of-age tales set in the 1960s such as Saving CeeCee Honeycutt will enjoy the ride. Agent: Jennifer Schober, Spencerhill. (July)