With unflinching honesty and moving prose, Janet Mock relays her experiences of growing up young, multiracial, poor, and trans in America, offering readers accessible language while imparting vital insight about the unique challenges and vulnerabilities of a marginalized and misunderstood population. Read more...
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With unflinching honesty and moving prose, Janet Mock relays her experiences of growing up young, multiracial, poor, and trans in America, offering readers accessible language while imparting vital insight about the unique challenges and vulnerabilities of a marginalized and misunderstood population. Though undoubtedly an account of one woman s quest for self at all costs, "Redefining Realness" is a powerful vision of possibility and self-realization, pushing us all toward greater acceptance of one another and of ourselves showing as never before how to be unapologetic and real."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-12-09
- Reviewer: Staff
A noble effort at transcending genre conventions ultimately redeems activist Mock’s memoir from the ill-fitting prose that undermines early chapters. The author grows more comfortable and confident with the confessional medium as the book progresses, taking readers through the life of a biracial trans woman growing up in Honolulu. Of the book’s many strengths, the most notable is its political bite. Mock defies the historically apolitical confines of the transgender memoir, and draws bright lines connecting her experiences to the larger realm of social justice, with a keen political eye that uses her individual experience to elucidate the wider condition of trans women of color in the U.S. Her vivid prose arouses every sense, wrenching emotion from the reader as she describes her experiences with sexual assault, bullying, abuse, and sex work on the streets of Honolulu. Although the book is ostensibly one woman’s coming-of-age story, Mock fulfills grander purposes here; in coming to terms with her own difficult journey she also uses that experience didactically, as if to take the uninitiated, non-transgender reader with her, most certainly achieving “realness.” (Feb.)