Quinn Roberts is a sixteen-year-old smart aleck and Hollywood hopeful whose only worry used to be writing convincing dialogue for the movies he made with his sister Annabeth. Read more...
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Quinn Roberts is a sixteen-year-old smart aleck and Hollywood hopeful whose only worry used to be writing convincing dialogue for the movies he made with his sister Annabeth. Of course, that was all before--before Quinn stopped going to school, before his mom started sleeping on the sofa...and before the car accident that changed everything.
Enter: Geoff, Quinn's best friend who insists it's time that Quinn came out--at least from hibernation. One haircut later, Geoff drags Quinn to his first college party, where instead of nursing his pain, he meets a guy--okay, a hot guy--and falls, hard. What follows is an upside-down week in which Quinn begins imagining his future as a screenplay that might actually have a happily-ever-after ending--if, that is, he can finally step back into the starring role of his own life story.
- ISBN-13: 9781481404099
- ISBN-10: 1481404091
- Publisher: Simon & Schuster Books for Young Readers
- Publish Date: March 2016
- Page Count: 288
- Reading Level: Ages 14-UP
- Dimensions: 8.9 x 5.8 x 1.1 inches
- Shipping Weight: 0.85 pounds
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2015-12-07
- Reviewer: Staff
Annabeth and Quinn were sibling filmmakersshe the director, he the screenwriterand Quinn, 16, dreamed that they would become famous collaborators like the Wachowskis, Ephrons, or Coens. Then Annabeth died on an icy road. Six months later, Quinns mother is still grief-stricken, and Quinn has holed up in his bedroom. Into this stasis arrives best friend Geoff, who prods him to take a needed shower and get out of the house. Quinn tells part of his rebound story in screenplay form, but the key plot element is his flirtation with Amir, a college guy he meets at a party: the possibility of love (and sex and romance) makes him realize that theres still a future to look forward to. Federles first venture into YA shares the same wry sensibility and theatrical underpinnings of his middle-grade books, while freeing him up to make some edgier jokes ( A little less tongue, he slurs, which was precisely the note I was going to give him). The mix of vulnerability, effervescence, and quick wit in Quinns narration will instantly endear him to readers. Ages 14up. Agent: Brenda Bowen, Sanford J. Greenburger Associates. (Mar.)
Stepping back into life after a family tragedy
Six months ago, Quinn Roberts had big plans: Inspired by the Coens and the Wachowskis, he was writing screenplays that his older sister helped to direct. But after his sister dies in a car accident, Quinn and his mom are mired in grief; she eats her feelings while he sleeps through his. When Quinn’s friend Geoff drags him to a college party and he meets a hot, older guy, things begin to shift. The Great American Whatever finds humor in life’s darkest moments.
Teenage Quinn is a delight, observant to a fault in service to his art and often hilarious. People from Quinn’s past resurface and are not what he remembers them to be, and his relationship with his best friend contains a whopping secret that nearly destroys it—yet both things help him to work through his sadness. (The hot guy doesn’t hurt, either.)
Author Tim Federle (Better Nate Than Ever) has a fantastic ear for the in-jokes that develop between friends. His YA debut is a genuinely great American novel, with a love of cinema worn on its sleeve.