It is the summer of 1940, and Lisbon, Portugal, is the only neutral port left in Europe a city filled with spies, crowned heads, and refugees of every nationality, tipping back absinthe to while away the time until their escape. Awaiting safe passage to New York on the SS" Manhattan, "two couples meet: Pete and Julia Winters, expatriate Americans fleeing their sedate life in Paris; and Edward and Iris Freleng, sophisticated, independently wealthy, bohemian, and beset by the social and sexual anxieties of their class.Read more...
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It is the summer of 1940, and Lisbon, Portugal, is the only neutral port left in Europe a city filled with spies, crowned heads, and refugees of every nationality, tipping back absinthe to while away the time until their escape. Awaiting safe passage to New York on the SS" Manhattan, "two couples meet: Pete and Julia Winters, expatriate Americans fleeing their sedate life in Paris; and Edward and Iris Freleng, sophisticated, independently wealthy, bohemian, and beset by the social and sexual anxieties of their class. As Portugal's neutrality, and the world's future, hang in the balance, the hidden threads in the lives of these four characters Julia's status as a Jew, Pete and Edward's improbable affair, Iris's increasingly desperate efforts to save her tenuous marriage begin to come loose. This journey will change their lives irrevocably, as Europe sinks into war.
Gorgeously written, sexually and politically charged, David Leavitt's long-awaited new novel is an extraordinary work."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-08-05
- Reviewer: Staff
Leavitt’s (The Indian Clerk) new novel depicts a 1940 Lisbon overflowing with Axis spies and refugees fleeing France ahead of the impending German invasion, but this smart, well-crafted story is less wartime drama than a vivid depiction of husbands and wives under pressure. Expatriate Americans Pete and Julia Winters can’t stand each other–she hates Portugal and hates even more the thought of returning to the U.S. Pete, meanwhile, accepts that their marriage is just a vapor, without any substance. Edward and Iris Freleng, another American couple, are lazy mystery writers mired in their own debauchery. When these four people are thrown together, strange relationships develop as they wait to leave on the weekly ship to New York. They share drinks, meals, and much more, “too worried about what we were losing to care about those who were losing more.” One spouse is self-destructive, one is a manipulative sexual predator, a third is obsessive, and the fourth has a suppressed sense of moral purpose. And only two will leave Portugal. Leavitt’s clever, engaging tale of marriage’s hidden shadows, lies, and half-truths demonstrates that husbands and wives are only as happy as they’ve already decided to allow themselves to be. Agent: Jin Auh, Wylie Agency. (Oct.)
A tenuous neutrality
In The Two Hotel Francforts, novelist David Leavitt (The Indian Clerk) takes his readers right to the brink: to the edge of continental Europe and a war that for many seemed like the end of civilization itself.
The novel is set in 1940s Lisbon, the last neutral port in Europe, overflowing with refugees of every nationality. Among the crowd are American expatriates Pete and Julia Winters. The Winters have been living in Paris, where Pete is a car salesman, but are planning to return to New York because Julia is Jewish. Neurotic even at the best of times, Julia is adamant about not leaving Europe, despite the danger—and even though everything about Portugal, from the food to the accommodations, makes her desperately unhappy. The Winters meet Edward and Iris Freleng, who are traveling with their elderly fox terrier. The Frelengs write mystery novels published under a single pseudonym, and their lazy, somewhat bohemian spirit and careless debauchery draw the American couple closer. A kind of strange ennui born of waiting amid the life-threatening tension prevails, and when Edward instigates an affair with Pete, everything threatens to unravel, including the sanity of both Julia and Edward.
The cobwebbed world of half-truths and lies inhabited by these characters is echoed by the shadowy setting of wartime Lisbon. Portugal’s neutrality masks the unsettling politics of the Salazar government, just as the couples’ untethered lives hide a hollow core at the center of each marriage. Like authors Graham Greene or Ford Madox Ford, Leavitt suggests that the moral ambiguities let loose during the pressures of wartime push people to extremes that they might never have reached otherwise.
Leavitt’s setting may be unsavory, but his storytelling is not, with complex characters and rich details that bring the seedy hotels and crowded cafes to life. This is a brittle tale told with an effortless ease.