This is the inspirational story of how one couple ditched their careers and high-pressure life in New York City tomove to Truth or Consequences, New Mexico, where they made, built, invented, foraged, and grew all they needed to live self-sufficiently, discovering a new sense of value and abundance in the process.Read more...
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This is the inspirational story of how one couple ditched their careers and high-pressure life in New York City tomove to Truth or Consequences, New Mexico, where they made, built, invented, foraged, and grew all they needed to live self-sufficiently, discovering a new sense of value and abundance in the process. Alongside their personal story are tips and tutorials to guide readers in the discovery of a fulfilling new lifestyle that relies less on money. Tremayne wholeheartedly believes that everyone has the skill, imagination and creativity to make it work.
Tremayne""not only teaches the art of making biofuel, appliances, structures, gardens, food, and medicine but also presents reasons for makers to share their innovations and ideas through open source and creative commons licenses.She shares the joys of creating out of waste, home manufacture, and reconnecting with nature, and she teaches readers how to live off the grid. Practical, contemplative, and action-oriented, "The Good Life Lab" is the manual for life in a post-consumer age.
In addition, " The Good Life Lab" is filled with illustrations contributed by a community of artists -- Alethea Morrison, Allegra Lockstadt, Andrew Saeger, Bert van Wijk, Christopher Silas Neal, Gina Triplett, Grady McFerrin, Joel Holland, Josh Cochran, Julia Rothman, Kate Bingaman Burt, Katie Scott, Kristian Olson, Mattias Adolfsson, Meg Hunt, Melinda Beck, Miyuki Sakai, Rachel Salomon, and Sasha Prood -- making the book itself a work of art.
The Smyth-sewn binding style is the highest-quality book binding available. It is more durable than a glued binding and lets the book open flat, making it easier to read. "The Good Life Lab" has an exposed spine so that readers can appreciate and understand how the object was made.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-04-08
- Reviewer: Staff
This rollicking, inspiring tale of Tremayne’s journey from being the creative director of N.Y.C. marketing firm Green Galactic to being a Burning Man volunteer, yoga teacher, Sufi seeker, and hardscrabble DIY urban homesteader in a former trailer park in the eccentric community of Truth or Consequences, N. Mex., is alternately funny, tender, philosophical, and practical. Tremayne and her partner, Mikey Sklar, in their “decommodified life,” choose time over money. As she convincingly writes, “Our clothing wears the signs of our labor: stained, torn and burned.... Every stain and tear contains a story, a moment that we treasured on our adventure.” Illustrated with whimsically florid drawings by a variety of artists and interspersed with essential how-tos for living “life in the waste stream”—from fermenting tempeh and brewing mead, to building a papercrete dome and removing rust from wrenches with electrolysis—the memoir riffs off Scott and Helen Nearing’s 1954 Living the Good Life with much more style and humor than the original, bringing the back-to-the-land genre up to date with impressive sophistication and appeal. Color photos and illus. throughout. (May)
Father's Day fun
Made by Dad: 67 Blueprints for Making Cool Stuff by Scott Bedford is so good it hurts—’cause you know that if your own dad had had this book in his hands, your childhood would have totally rocked. “Chock-full” doesn’t even come close to describing the teeming nature of this tome. The fun photos, cool diagrams, clear instructions and handy cut-out templates run the gamut from wacky home decorations and gadgets (like setting up a Bunk Bed Communicator) to subversively educational science projects (like getting sucked into a Gravity-Defying Black Hole) to zany party ideas (like making Radioactive Sports Drinks). In the end, Made by Dad is about dads (and moms!) and children working on projects together. It’s no accident that the final blueprint in the book is the trump card: instructions for making a card that unfolds over and over, getting longer and longer, until it says, “I Love You This Much.”
LIVING OFF THE GRID
The “back to nature” movement of the 1960s has evolved in various ways, but one note of today’s chorus of tree-huggers rings constant: In the 21st century, those who feel dissatisfied with a life cut off from the natural world and choose to do something about it require more ingenuity, more commitment and more willingness to take risks than their hippie forebears did a half-century ago. Fortunately, help is at hand. In The Good Life Lab: Radical Experiments in Hands-On Living, visionary naturalist and conceptual artist Wendy Jehanara Tremayne presents a unique synthesis of memoir, travelogue, guru-level spiritual wisdom and pragmatic instruction on how to get out of the “waste stream” in which urbanites wallow and re-enter the vital stream of the natural world. For Tremayne and her husband, redemption came in quitting their careers and the bustle of NYC life and moving to an abandoned RV park in New Mexico, where they learned to live self-sufficiently. If she can make it there (so she proposes), we—her wildly inspired readers—can make it anywhere. Need food, gas, lodging? DIY! Welcome to the Good Life Lab.
TOP PICK IN LIFESTYLES
Michael Largo puts the “best” into this “bestiary”—the medieval bookish art of gathering encyclopedic information about unusual animals into a beautifully illustrated volume. The Big, Bad Book of Beasts: The World’s Most Curious Creatures remains faithful to its alliterative title through its fun alphabetical juxtapositions of creatures as diverse in their size and actual existence as the badger, the bagworm and the banshee, or the caladrius, the camel and the capybara. You’ve never heard of a caladrius or a capybara? Well, once you’ve seen the gloriously old-fashioned illustrations of these critters—from sources ranging from ancient Egyptian sculpture to a Victorian science manual—and once you’ve read the delightfully definitive descriptions, you’ll never forget them, nor will it matter to you that the capybara is real (it’s the world’s largest rodent!), while the caladrius is a creature of Roman myth (a bird who could tell you how close to dying a person was by the way it would sit on that person’s deathbed). When a book is this big and this “bad,” it’s beastly good—for all ages.