Adultery, the provocative new novel by Paulo Coelho, best-selling author of The Alchemist and Eleven Minutes, explores the question of what it means to live life fully and happily, finding the balance between life's routine and the desire for something new. Read more...
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Publisher: Hoi Nha Van/Tsai Fong Books$22.40Adulterio (Paperback - Spanish)
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More About Adultery by Paulo Coelho; Margaret Jull Costa; Zod PerryOverviewI want to change. I need to change. I'm gradually losing touch with myself.
Adultery, the provocative new novel by Paulo Coelho, best-selling author of The Alchemist and Eleven Minutes, explores the question of what it means to live life fully and happily, finding the balance between life's routine and the desire for something new.
- ISBN-13: 9781101874080
- ISBN-10: 1101874082
- Publisher: Knopf Publishing Group
- Publish Date: August 2014
- Page Count: 272
- Dimensions: 8.75 x 5.99 x 1.1 inches
- Shipping Weight: 1.02 pounds
Related CategoriesPublishers Weekly Reviews
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2014-06-30
- Reviewer: Staff
Coelho’s disappointing new novel suffers from its lead character’s navel-gazing. After an interview subject reveals his thoughts about living a passionate life to buttoned-up Linda, a 30-something journalist, mother, and wife to a loving, wealthy husband, she begins to believe her own life is empty. From there, she initiates an erotic affair with a high school boyfriend even after her first come-on leads him to suggest she enter marriage counseling. Her emotional nosedive includes an outrageous plan to win him over, and she ponderously dwells on John Calvin, St. Paul, King Solomon, Frankenstein, and Jekyll and Hyde. Coehlo’s best work is personal and expansive, whether it concerns a Jewish prophet in the ninth century B.C.E. (The Fifth Mountain) or a young shepherd (The Alchemist) traveling widely in pursuit of treasure. Unfortunately, this novel’s constrained Geneva setting lacks expansiveness, and what is personal quickly becomes plodding. For most of the story, Coelho abandons his beautifully spare, evocative prose in favor of overwrought sentences, returning to form only as the story nears its end. (Aug.)