Following the critical and commercial success of An Unnecessary Woman , Alameddine delivers a spectacular portrait of a man and an era of profound political and social upheaval. Read more...
Following the critical and commercial success of An Unnecessary Woman, Alameddine delivers a spectacular portrait of a man and an era of profound political and social upheaval.
Set over the course of one night in the waiting room of a psych clinic, The Angel of History follows Yemeni-born poet Jacob as he revisits the events of his life, from his maternal upbringing in an Egyptian whorehouse to his adolescence under the aegis of his wealthy father and his life as a gay Arab man in San Francisco at the height of AIDS. Hovered over by the presence of alluring, sassy Satan who taunts Jacob to remember his painful past and dour, frigid Death who urges him to forget and give up on life, Jacob is also attended to by 14 saints. Set in Cairo and Beirut; Sana'a, Stockholm, and San Francisco; Alameddine gives us a charged philosophical portrait of a brilliant mind in crisis. This is a profound, philosophical and hilariously winning story of the war between memory and oblivion we wrestle with every day of our lives.
Rabih Alameddine is one our most daring writersdaring not in the cheap sense of lurid or racy, but as a surgeon, a philosopher, an explorer, or a dancer. Michael Chabon"
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2016-08-08
- Reviewer: Staff
Alameddine’s novel (following National Book Award–finalist An Unnecessary Woman) is the inner monologue of Jacob, a poet in crisis, as he checks himself into a mental institution for a long weekend, leaving his beloved cat, Behemoth, in the care of a friend. Jacob was born in Yemen to a Lebanese father and Yemeni mother, raised in a Cairo brothel, educated by French Catholics, and lived as a gay Arab expatriate in San Francisco at the height of the AIDS epidemic—an American who insists he doesn’t “do Middle East conversations” and loathes the “poetry of nostalgia” but in whom the complicated experience of migration reverberates. Now interrogated by the specters of Satan and Death, who bring a host of saints to testify on Jacob’s behalf, he spills his history—the lovers who have come before, and his initiation in the queer subculture, maturation as a poet, and deep engagement with literature—until it intersects with global history: the rise of al-Qaeda and wars political and personal, all playing out while Jacob sits in a hospital waiting room, wondering if he’ll ever be called in. It’s not really his sanity, but his identity as a poet, an Arab, and a gay man that hangs in the balance. The novel takes a nonlinear approach that is occasionally messy, but Alameddine brilliantly captures Jacob’s mind as it leaps between memory and the present. Agent: Nicole Aragi, Aragi Inc. (Oct.)