Imagine standing on a box in the middle of a busy city, dressed as a white-faced bride, and silently using your eyes to ask people for money. Or touring Europe in a punk cabaret band, and finding a place to sleep each night by reaching out to strangers on Twitter. Read more...
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Imagine standing on a box in the middle of a busy city, dressed as a white-faced bride, and silently using your eyes to ask people for money. Or touring Europe in a punk cabaret band, and finding a place to sleep each night by reaching out to strangers on Twitter. For Amanda Palmer, actions like these have gone beyond satisfying her basic needs for food and shelter--they've taught her how to turn strangers into friends, build communities, and discover her own giving impulses. And because she had learned how to ask, she was able to go to the world to ask for the money to make a new album and tour with it, and to raise over a million dollars in a month.
In THE ART OF ASKING, Palmer expands upon her popular TED talk to reveal how ordinary people, those of us without thousands of Twitter followers and adoring fans, can use these same principles in our own lives.
- ISBN-13: 9781455581085
- ISBN-10: 1455581089
- Publisher: Grand Central Publishing
- Publish Date: November 2014
- Page Count: 352
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2014-09-15
- Reviewer: Staff
Performance artist and Dresden Dolls singer Palmer reflects on her career and shares insight into the economy of shared resources in this sometimes insightful but overly self-indulgent memoir. Beginning in Harvard Square performing as a human statue, Palmer first observed a “subterranean financial ecosystem” of sharing. She found a similar environment at the “Cloud Club,” an artists’ commune where her band performed its first gigs and shot a music video to which residents loaned their various talents. As a touring musician, Palmer became familiar with asking fans for “crash space” and meals, as when a Honduran family in Miami offered the crew their beds and treated them to “tortilla lessons” in the morning. Palmer delivers a master class on harnessing technology for artistic purposes, explaining how to turn crowdfunding, Twitter, and digital music downloads to your advantage. She makes valid points about the controversial Kickstarter that raised 1 million dollars for her solo album, but remains utterly obtuse regarding the poor reception of a poem written in the voice of one of the Boston Marathon bombers she posted to her blog. Palmer’s worthy message that “asking is an act of intimacy and trust” is often obscured by an overly confessional, borderline narcissistic tone unlikely to placate her critics. Agent: Merrilee Heifetz, Writers House. (Nov.)