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Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2011-08-08
- Reviewer: Staff
The Blaue Reiter painter Franz Marc had his art banned by the Nazis, after he died at 36 in WWI. In his first book in more than four years, Carle does not tell Marc’s story; he simply assumes his persona. “I am an artist,” a mop-headed man says, “and I paint... “a blue horse and... a red crocodile and...” and the series continues, each animal dominating its spread. While Carle’s creatures are constructed from his familiar, brilliantly colored painted-paper shapes, it is the strength and sinew of their forms that impresses—not coincidentally, the quality that distinguishes Marc’s originals (two are reprinted on the final pages). As the book progresses, the colors of the animals stray farther and farther from reality (there’s a purple fox and a polka-dot donkey), all but daring readers to think outside the box. “I am a good artist,” the man declares in closing, expressing the satisfaction that comes from using one’s creative powers to the fullest. An homage to Marc becomes testimony to Carle’s gifts, too. A short afterword about Marc’s life is included. Ages 3–5. (Oct.)
A horse of a different color
German artist Franz Marc painted Blue Horse in 1911—a heavy-bodied horse, oddly blue, yet beautiful. Marc loved bright colors, even when applied to unexpected subjects. Though he died in World War I, Marc lived on through his art, which was labeled “degenerate” by the Nazis. Blue horse? Must be the work of a diseased mind.
Eric Carle grew up in Nazi Germany, where creating or displaying modern art was forbidden, but he had a brave teacher who risked showing him the art. And now, so many years later, Carle offers a picture book in homage to Franz Marc.
“I am an artist and I paint,” the book begins. What follows, in Carle’s signature painted tissue-paper collages, are a blue horse, a red crocodile, a yellow cow and a whole parade of multicolored animals. The final words—“I am a good artist”—might sound to an adult reader like an artist’s defiance of censors, but it’s a common sentiment in children when allowed to paint freely.
Young artists will love this beautiful book, and will cheerfully go about creating their own joyful paintings, not caring at all for anyone else’s rules about what color a horse should be. After all, why can’t a donkey be polka-dotted?





























