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Back of the Bus
by Aaron Reynolds and Floyd Cooper

Overview - It seems like any other winter day in Montgomery, Alabama. Mama and child are riding where they?re supposed to?way in the back of the bus. The boy passes the time by watching his marble roll up and down the aisle with the motion of the bus, until from way up front a big commotion breaks out.  Read more...

 
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More About Back of the Bus by Aaron Reynolds; Floyd Cooper
 
 
 
Overview
It seems like any other winter day in Montgomery, Alabama. Mama and child are riding where they?re supposed to?way in the back of the bus. The boy passes the time by watching his marble roll up and down the aisle with the motion of the bus, until from way up front a big commotion breaks out. He can't see what's going on, but he can see the policeman arrive outside and he can see Mama's chin grow strong. ?There you go, Rosa Parks, ? she says, ?stirrin? up a nest of hornets. Tomorrow all this?ll be forgot.? But they both know differently.

With childlike words and powerful illustrations, Aaron Reynolds and Coretta Scott King medalist Floyd Cooper recount Rosa Parks? act of defiance through the eyes of a child?who will never forget.

 
Details
  • ISBN-13: 9780399250910
  • ISBN-10: 0399250913
  • Publisher: Philomel Books
  • Publish Date: January 2010
  • Page Count: 32
  • Reading Level: Ages 6-8


Related Categories

Books > Juvenile Fiction > Historical - United States - 20th Century
Books > Juvenile Fiction > People & Places - United States - African-American
Books > Juvenile Fiction > Social Issues - Prejudice & Racism

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page 48.
  • Review Date: 2009-12-07
  • Reviewer: Staff

This sterling collaboration views Rosa Parks's 1955 refusal to give up her bus seat through the eyes of a perceptive boy seated with his mother in the rear of the bus. Early on, the child rolls a treasured marble up the aisle and Parks good-naturedly shoots it back to him. He tucks the marble safely away when the bus fills with passengers and he senses trouble up front: “Some folks look back, givin' us angry eyes. 'We do somethin' wrong, Mama?' I say all soft.” Reynolds's (Superhero School) lyrical yet forceful text conveys the narrator's apprehension and Parks's calm resolve, which inspires the boy. “[S]he's sittin' right there, her eyes all fierce like a lightnin' storm, like maybe she does belong up there. And I start thinkin' maybe she does too.” Cooper's (Willie and the All-Stars) filmy oil paintings are characterized by a fine mistlike texture, which results in warm, lifelike portraits that convincingly evoke the era, the intense emotional pitch of this incident, and the everyday heroism it embodied. Ages 6–8. (Jan.)

 
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