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The Big Smoke
by Adrian Matejka


Overview - A finalist for both the Pulitzer Prize and the National Book Award in Poetry acollection that examines the myth and history of the prizefighter Jack Johnson

The legendary Jack Johnson (1878 1946) was a true American creation.  Read more...


 
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More About The Big Smoke by Adrian Matejka
 
 
 
Overview
A finalist for both the Pulitzer Prize and the National Book Award in Poetry acollection that examines the myth and history of the prizefighter Jack Johnson

The legendary Jack Johnson (1878 1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers and white America to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka s third work of poetry, follows the fighter s journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka s book is part historic reclamation and part interrogation of Johnson s complicated legacy, one that often misremembers the magnetic man behind the myth.

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Details
  • ISBN-13: 9780143123729
  • ISBN-10: 0143123726
  • Publisher: Penguin Books
  • Publish Date: May 2013
  • Page Count: 109
  • Reading Level: Ages 18-UP
  • Dimensions: 8.2 x 5.4 x 0.5 inches
  • Shipping Weight: 0.3 pounds

Series: Penguin Poets

Related Categories

Books > Poetry > American - General

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2013-12-02
  • Reviewer: Staff

The third book from Matejka (Mixology) covers the life of legendary heavyweight champion Jack Johnson, and like a fighter in the ring, these poems are fierce and fast on their feet: “It’s always better to whip than/ to be whipped, so I took the fight/ straight to the bigger boy. Not long// after, fighting became a way/ to make money.” This Jack Johnson, whose channeled voice dominates the book, resembles the real-life boxer in his lovers, opponents, enthusiasm for opera, and in the marks racism left on his life: “I always abide by the rules inside/ of the ring. Those dock fights were/ more about survival than winning.” The five sections here are woven with lyrics, letters, and brief interviews. Strongest are the shadow-boxing poems, titled alternately “Shadow-Boxing” and “The Shadow Knows,” because they go far beyond elaboration in verse to argue with the dominant narrative: “You’re not fooling me/ by quoting Shakespeare, Mr. Champion of the Negro/ World. No matter how/ carefully you enunciate,/ Tiny was a slave/ & the condition of the son/ follows the condition/ of the mother.” Matejka’s project straddles that risky line between life and art, and some readers may question whether it transforms Johnson’s life sufficiently into art, but others will find this to be a powerful and accessible poetry collection. (Nov.)

 
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