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This is the story of Olav: an extremely talented fixer for one of Oslo s most powerful crime bosses. But Olav is also an unusually complicated fixer. He has a capacity for love that is as far-reaching as is his gift for murder. He is our straightforward, calm-in-the-face-of-crisis narrator with a storyteller s hypnotic knack for fantasy. He has an innate talent for subordination but running through his veins is a virus born of the power over life and death. And while his latest job puts him at the pinnacle of his trade, it may be mutating into his greatest mistake. . . ."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2015-02-16
- Reviewer: Staff
Olav—a hit man, or “fixer”—narrates this thin standalone from Nesbø (The Son) set in 1970s Oslo. His boss, drug kingpin Daniel Hoffmann, has an unusual assignment for Olav: “He wanted me to fix his wife.” Olav sets up surveillance on the beautiful Corina Hoffman from a hotel across the street and watches her let a man into the apartment. It’s someone she clearly knows, but the man’s first action is to strike her, then he sleeps with her, and Olav figures she’s being blackmailed. Olav, whose sympathies shift to Corina, hopes to save her and double-cross his boss in a plot reminiscent of a 1940s American noir novel. A damaged loner, Olav is full of contradictions, but he’s more intelligent and emotional than he’ll admit, which gives the book a bit of humanity and humor. Nesbø fans will enjoy this slender story, though newcomers may find it altogether too macabre. Agent: Niclas Salomonsson, Salomonsson Agency (Sweden). (Apr.)
Whodunit: Secrets come back to bite you
The crime of blackmail must be about as old as mankind, when the first child caught his sibling doing something naughty and cagily offered the offender an out—for a price. Countless tales have been spun about blackmail, but rarely with such an original twist as in Harlan Coben’s The Stranger. For the person known only as “the Stranger,” money is secondary to the justice he (or she) is able to mete out to wrongdoers who erroneously believe the Internet offers them a measure of anonymity. Case in point: With the help of an Internet novelty company, Corinne Price faked a pregnancy and a subsequent miscarriage to salvage a marriage she felt was coming apart. Pregnancy test: paper strips that show “positive” every time. Sonogram: someone else’s, doctored with Corinne’s information. Abdomen: an ever-increasing jelly belly that would magically disappear with the “miscarriage.” Now the deception has come back to bite her in a big way, at the most inopportune time imaginable. This is but one of several deceptions, each separately and painstakingly constructed, connected only by the shadowy and distinctly ominous presence of the Stranger.
Longtime readers of Donna Leon’s Commissario Guido Brunetti novels are in for a treat. Her new book, Falling in Love, harkens back to the first novel in the series, Death at La Fenice, in which Brunetti cleared the name of opera singer and murder suspect Flavia Petrelli. The diva is in need of Brunetti’s help once again, this time as victim rather than as suspect. It seems an obsessed fan has entered Petrelli’s life, bombarding her with bouquets of exquisite yellow roses. At first the attention and the adulation was flattering, but that was before the roses began to pile up in her dressing room and in her locked apartment. And before a young singer publicly complimented by Petrelli was brutally thrown down a staircase. Brunetti must intervene (with the able assistance of ever-so-resourceful and devious Signorina Elettra) in an attempt to forestall any further violence. Fans of exceptionally character-driven mysteries will find lots to like here.
Of all the would-be successors to John D. MacDonald’s legendary Travis McGee, Randy Wayne White’s Doc Ford stands out as the clear frontrunner. Cuba Straits, the latest in a long line of tropical adventures, finds the canny Florida marine biologist and his hippie sidekick, Tomlinson, tangled up in a situation with tendrils reaching back to the heady days of the Cuban revolution. Meanwhile, in modern times, as the U.S. and Cuba edge ever closer to détente, Juan Garcia’s business of smuggling first-rate Cuban baseball players to American teams may be in jeopardy. But the danger of that endeavor pales in comparison to the sensitive nature of some letters he has recently acquired for resale. Ostensibly love letters indicating that Fidel and Raúl Castro were once in love with the same woman, these pages may expose something altogether darker—something worth killing over almost 60 years later. And then Garcia disappears, basically without a trace. If the hitherto forbidden landscape of Cuba speaks to you, if you miss Travis McGee like a long-lost brother, if you value a writer whose easy familiarity with his milieu is evident on every page, look no further.
TOP PICK IN MYSTERY
Norwegian author Jo Nesbø, who has notably chronicled the life and times of Oslo cop Harry Hole, has jumped the tracks with his latest standalone novel, Blood on Snow, taking his readers along for the first-person narrative of Olav, a slightly slow-witted contract killer, or “fixer.” Olav has tried other crime jobs over the years, driving getaway cars, robbing banks and so on, but the only thing he seems talented at is “fixing” people. Now he faces a conundrum: Olav’s boss wants his wife fixed. If Olav carries out this fix, he will hold dangerous knowledge about his boss. And if he doesn’t, when some other fixer does the job, Olav will still know that the boss is responsible. It’s truly a damned-if-you do, damned-if-you-don’t situation. So Olav must navigate uncharted territory to do the bidding of his boss, but in such a way as to ensure against any deadly repercussions. At the heart of the story is the fact that Olav is basically a sweet-natured individual, not the hardened sociopath one might expect of someone in his line of work. In the end, this may prove to be his salvation—or his undoing. This is a fascinating character study, a clever and engaging mystery and a terrific example of a chameleon-like writer successfully stretching his already broad limits.