A mutilated body in Crawley. A killer on the loose. The prime suspect is one Robert Weil, possibly an associate of the twisted wizard known as the Faceless Man. Read more...
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A mutilated body in Crawley. A killer on the loose. The prime suspect is one Robert Weil, possibly an associate of the twisted wizard known as the Faceless Man. Or maybe just a garden-variety serial killer.
Before apprentice wizard and Police Constable Peter Grant can even get his head 'round the case, two more are dropped in his lap: a town planner has gone under a tube train, and there's a stolen grimoire for Grant to track down.
So far, so London.
But then Peter gets word of something very odd happening on a housing estate designed by a nutter, built by charlatans, and inhabited by the truly desperate.
Is there a connection?
And if there is, why oh why did it have to be South of the River--in the jurisdiction of some pretty prickly local river spirits?
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2014-02-10
- Reviewer: Staff
With irreverent humor and a fast-paced plot, Aaronovitch cheekily marries the ancient Arts with the Internet age in the fourth installment (after 2012's Whispers Underground) of an excellent series featuring modern-day Constable Peter Grant on the trail of a new magical mystery. Two grisly murders, an apparent suicide, a stolen book from the Bodleian Library's secret collection, and a militant Russian Night Witch lead Peter inexplicably to Skygarden, a threatened housing project built by an eccentric 1970s architect. He and Lesley, his partner-in-solving-crime, must go undercover to discover what exactly is happening at Skygarden, and what—if anything—it has to do with the twisted, dangerous and ever-elusive Faceless Man. The case comes to an explosive conclusion just as Peter pieces it together; but as with the previous books, though he solves the mystery he does not necessarily win in the end. Leaving the reader with more questions than answers, every plot revelation brings with it the realization that the reader has only begun to scratch the surface of backstory in this deeply-layered, richly imagined London. Smart and gritty, twisted and whimsical, Aaronovitch has proved yet again that secrets are his specialty. Agent: John Parker, Zeno Agency. (Feb.)