Nora Lopez is seventeen during the infamous New York summer of 1977, when the city is besieged by arson, a massive blackout, and a serial killer named Son of Sam who shoots young women on the streets. Read more...
Nora Lopez is seventeen during the infamous New York summer of 1977, when the city is besieged by arson, a massive blackout, and a serial killer named Son of Sam who shoots young women on the streets. Nora s family life isn t going so well either: her bullying brother, Hector, is growing more threatening by the day, her mother is helpless and falling behind on the rent, and her father calls only on holidays. All Nora wants is to turn eighteen and be on her own. And while there "is "a cute new guy who started working with her at the deli, is dating even worth the risk when the killer likes picking off couples who stay out too late? Award-winning author Meg Medina transports us to a time when New York seemed balanced on a knife-edge, with tempers and temperatures running high, to share the story of a young woman who discovers that the greatest dangers are often closer than we like to admit and the hardest to accept."
- ISBN-13: 9780763674670
- ISBN-10: 0763674672
- Publisher: Candlewick Press (MA)
- Publish Date: March 2016
- Page Count: 320
- Reading Level: Ages 14-17
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2016-01-04
- Reviewer: Staff
As high school graduation nears, Nora López and her best friend Kathleen are looking forward to going to the beach, dancing, and being free. But that’s hard when Nora’s mother expects her to keep an eye on her out-of-control younger brother, Hector, and run interference with her absent father—and a serial killer is on the loose. Nora is strong and believable, a possible romance has heat, and Medina (Yaqui Delgado Wants to Kick Your Ass) gets gritty 1977 New York City right: feminism and disco in the air, Son of Sam, and—come July—the blackout and the ensuing looting and fires. The weak spot is Hector: he’s invariably angry and increasingly violent, and the book falls into a cycle of petty (and not so petty) crime, disbelief, and realization. Fortunately, the other elements in this coming-of-age story are elegantly and eloquently explored: the difficulties of finding a place to make out with a serial killer around, the new opportunities opening up for women, and Nora’s growing ability to envision the life she wants. Ages 14–up. Agent: Jennifer Rofé, Andrea Brown Literary Agency. (Mar.)
Seeking independence during an infamous summer
The sparkly disco ball on the cover of Meg Medina’s mesmerizing new YA novel, Burn Baby Burn, evokes the summer of 1977. But there are flames on the disco ball, too, burning with an intensity that hints at something much more dangerous than disco. In New York City, this was the summer of a relentless heat wave, ever-escalating crime and a serial killer dubbed Son of Sam.
“I like the notion of disco ball as time bomb,” Medina tells BookPage in a call from her home in Richmond, Virginia. In Burn Baby Burn, the explosion comes in the form of a citywide blackout, a real-life incident that Medina remembers well. She was 13 years old and living in Queens.
Medina is the author of five previous books, including the 2014 Pura Belpré Author Award-winning Yaqui Delgado Wants to Kick Your Ass, but this is her first novel of historial fiction. She quickly realized it wasn’t enough to draw from her own memories, and so she delved into newspapers to help re-experience that summer’s terror. “I wanted to write the story as respectfully as possible,” Medina says. “It’s part of the historical record of the city, eBand I didn’t want to glamorize it or make it sensational. What I wanted to capture was the sense of horror and dread that we felt.”
That instability and uncertainty permeate the pages of Burn Baby Burn and the life-changing summer of its protagonist, 17-year-old Nora Lopez. Nora has plans for her post-high school life: She’s saving money from her part-time deli job so she can move out of the apartment she shares with her mother, Mima, and brother, Hector. In the meantime, she’s enjoying the beach and disco dancing with her college-bound best friend, Kathleen, even as they alter their daily plans to ensure they aren’t vulnerable to the serial killer. That’s something Medina remembers well: Under Son of Sam’s shadow, running routine errands “felt like a really close call . . . like he could be anywhere and anybody.”
In addition to the fear that casts a pall over the city, Nora’s daily life is marked by exhausting, ultimately fruitless attempts to avoid setting off Hector’s increasingly explosive temper. It’s clear to Nora that Mima, who’s never disciplined Hector for his behavior, isn’t going to start handling things now. It’s up to Nora to save herself.
This is a daunting prospect for a teen with limited resources. Fortunately, Nora is surrounded by a coterie of supportive and caring spirits, including Kathleen and her parents, a badass neighbor named Stiller and the funny deli owner.
“It’s important to keep young people in contact with the idea that what your situation is right now isn’t what it will always be for you,” Medina says. “There are other people around from whom you can draw strength.”
Through the people who encourage Nora to think bigger (a guidance counselor urges her to apply to colleges) and broader (Kathleen’s mother and Stiller bring the girls to women’s rights rallies), Medina skillfully and movingly demonstrates that change can come in small increments, and though there may be setbacks, that doesn’t mean it’s not worth the effort.
Take feminism, for example. Nora is growing up during the movement’s second wave, filled with marches and Bella Abzug’s bullhorn. “It’s so painful to me when we see young women now disavow that and say they’re not feminists,” Medina says. “So much of what they take for granted and are allowed to do came on the backs of women who took to the street, marching and being ‘difficult.’ So I wanted to write a story about young women in the beginning of that.”
There’s much that readers will take away from Burn Baby Burn, with its dramatic and all-too-real backdrop of a city in trouble and transition, and characters who are doing their best while realizing that it’s OK to want to do better.
“I believe in the relief of naming hard experiences,” Medina says. “There is a comfort in removing the shame around them. They happen to all kinds of people, and it’s not a character flaw in you, it’s humanity.”