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Comic Book History of Comics
by Fred Van Lente and Ryan Dunlavey and Tom Spurgeon


Overview - For the first time ever, the inspiring, infuriating, and utterly insane story of comics, graphic novels, and manga is presented in comic book form The award-winning Action Philosophers team of Fred Van Lente and Ryan Dunlavey turn their irreverent-but-accurate eye to the stories of Jack Kirby, R.  Read more...

 
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More About Comic Book History of Comics by Fred Van Lente; Ryan Dunlavey; Tom Spurgeon
 
 
 
Overview
For the first time ever, the inspiring, infuriating, and utterly insane story of comics, graphic novels, and manga is presented in comic book form The award-winning Action Philosophers team of Fred Van Lente and Ryan Dunlavey turn their irreverent-but-accurate eye to the stories of Jack Kirby, R. Crumb, Harvey Kurtzman, Alan Moore, Stan Lee, Will Eisner, Fredric Wertham, Roy Lichtenstein, Art Spiegelman, Herge, Osamu Tezuka -- and more
Collects Comic Book Comics #1-6.

 
Details
  • ISBN-13: 9781613771976
  • ISBN-10: 1613771975
  • Publisher: IDW Publishing
  • Publish Date: June 2012
  • Page Count: 224

Series: Comic Book History of Comics

Related Categories

Books > Comics & Graphic Novels > Media Tie-In

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2012-05-28
  • Reviewer: Staff

Tracing comics from the late 19th century through the next 100 years, and covering the creative, business, and social factors that shaped them, this is a thorough and ambitious history. Though it boasts exceptional scholarship and vision, any work this expansive is bound to show a few cracks. While Dunlavy’s crisp artwork mostly furthers historical anecdotes into larger points, some panels descend into cheap gags. With the wider brushstroke, the book is usually on target, rarely mining comics-history-as-usual. It takes well-executed detours that trace the flow of underground comics, explaining the economics of the direct market and the speculative implosion of the 1990s with a clear sense of how these affect content, and delving into the histories of European, English, and Japanese scenes with affection. The defensiveness in the coverage of Lichtenstein and pop art is unfortunate, especially given the bravado in the portrayal of the Air Pirates’ appropriation of Disney properties. The history ends just before the indie boom of the ’90s, including self-publishers and mini-comics makes the history feel incomplete, given these cartoonists’ direct effect on the rise of the graphic novel and the embrace of comics in wider culture. Still, Van Lente knows the territory and how to present it; this book should become a standard reference in the field. (May)

 
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