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David Bowie : Starman
by Paul Trynka


Overview - "Ziggy Stardust," "Changes," Under Pressure," "Let's Dance," "Fame," "Heroes," and of course, "Starman." These are the classic songs of David Bowie, the artist whose personas are indelibly etched in our pop consciousness alongside his music.  Read more...

 
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More About David Bowie by Paul Trynka
 
 
 
Overview
"Ziggy Stardust," "Changes," Under Pressure," "Let's Dance," "Fame," "Heroes," and of course, "Starman." These are the classic songs of David Bowie, the artist whose personas are indelibly etched in our pop consciousness alongside his music. He wrote and recorded with everyone from Iggy Pop to Freddie Mercury to John Lennon, sold 136 million albums, has one of the truly great voices, and influenced bands as wide-ranging as Nirvana and Franz Ferdinand.
Paul Trynka illuminates Bowie's seemingly contradictory life and his many reinventions as an artist, offering over 300 new interviews with everyone from classmates to managers to lovers. He reveals Bowie's broad influence on the entertainment world, from movie star to modern-day icon, trend-setter to musical innovator. This book will define Bowie for years to come.

 
Details
  • ISBN-13: 9780316032254
  • ISBN-10: 0316032255
  • Publisher: Little Brown and Company
  • Publish Date: July 2011
  • Page Count: 544
  • Dimensions: 9.29 x 6.34 x 1.72 inches
  • Shipping Weight: 1.87 pounds


Related Categories

Books > Biography & Autobiography > Composers & Musicians - General

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2011-04-11
  • Reviewer: Staff

Drawing upon more than 250 new interviews with friends of Bowie and on previously published interviews with Bowie, former Mojo editor affectionately chronicles the life and music of Bowie from his childhood and youth to the high points of his career, his recent heart attack and almost total disappearance from the music scene. By the time he was 11, Bowie's charm was developed, a trait that brought him the breaks and opportunities that his ever-active mind learned to exploit. Bowie emerges from Trynka's portrait as a less than consummate musician and more an ambitious individual who knew how to get exactly what he wanted from those around him. From the growling guitars of "Suffragette City" and the driving dance beats of "Young Americans" to the stuttering syncopation of "Fame" and the Beatles-like riffs of "Changes," Bowie, in Trynka's hands, is a man who has never settled for the predictable. The lack of any new interviews with Bowie, however, gives the biography the feel of a hagiography. (July)

 
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