Poor Duncan just wantsto color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough They quit Beige Crayon is tired of playing second fiddle to Brown Crayon. Read more...
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Crayons have feelings, too, in this funny back-to-school story illustrated by the creator of "Stuck "and "This Moose Belongs to Me"--now a #1" New York Times "bestseller
Poor Duncan just wantsto color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough They quit Beige Crayon is tired of playing second fiddle to Brown Crayon. Black wants to be used for more than just outlining. Blue needs a break from coloring all those bodies of water. And Orange and Yellow are no longer speaking each believes he is the true color of the sun.
What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best?
Kids will be imagining their own humorous conversations with crayons and coloring a blue streak after sharing laughs with Drew Daywalt and "New York Times "bestseller Oliver Jeffers. This story is perfectas a back-to-school gift, for all budding artists, for fans of humorous books such as"Don't Let the Pigeon Drive the Bus "by Mo Willems and "The True Story of the Three Little Pigs "by Jon Sciezka and Lane Smith, and for fans of Oliver Jeffers'"Stuck," "The Incredible Book Eating Boy," "Lost and Found," and" This Moose Belongs to Me.""
- ISBN-13: 9780399255373
- ISBN-10: 0399255370
- Publisher: Philomel Books
- Publish Date: June 2013
- Page Count: 30
- Reading Level: Ages 3-7
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-04-15
- Reviewer: Staff
Although the crayons in this inventive catalogue stop short of quitting, most feel disgruntled. The rank and file express their views in letters written to a boy, Duncan. Red complains of having to “work harder than any of your other crayons” on fire trucks and Santas; a beige crayon declares, “I’m tired of being called ‘light brown’ or ‘dark tan’ because I am neither.” White feels “empty” from Duncan’s white-on-white coloring, and a “naked” Peach wails, “Why did you peel off my paper wrapping?” Making a noteworthy debut, Daywalt composes droll missives that express aggravation and aim to persuade, while Jeffers’s (This Moose Belongs to Me) crayoned images underscore the waxy cylinders’ sentiments: each spread features a facsimile of a letter scrawled, naturally, in the crayon’s hue; a facing illustration evidences how Duncan uses the crayon, as in a picture of a giant elephant, rhino, and hippo (Gray laments, “That’s a lot of space to color in all by myself”). These memorable personalities will leave readers glancing apprehensively at their own crayon boxes. Ages 3–7. Author’s agent: Jeff Dwyer, Dwyer & O’Grady. (June)
Mind your reds and blues
Poor Duncan. He heads for his crayons one day in class, only to find a stack of letters waiting. He simply wants to color, but instead he has 12 manifestos to read. Little did Duncan know his crayons are beleaguered, bitter and beset with all sorts of headaches.
Purple is about to lose it and would like Duncan to color inside the lines. Black is tired of being used merely for the outlines of things (“how about a BLACK beach ball some time?”), and Pink is tired of limitations (why not a pink dinosaur or cowboy?). Peach wraps it all up with a confession: Since Duncan peeled his paper off, he’s naked and too humiliated to leave the box. There’s much more from the poor, persecuted pieces of wax in author Drew Daywalt’s clever picture book debut, The Day the Crayons Quit.
Each spread shows a crayon’s protest letter on the left and the pontificating crayon on the right. The crayons use Duncan’s drawings to prove their points: Beige wilts in front of a piece of wheat, one of only two things he draws, since Mr. Brown Crayon gets all the fun stuff. In the funniest spread, White Crayon, who feels empty, demonstrates Duncan’s “white cat in the snow,” just two eyes, a mouth, a nose and whiskers in an empty white space.
There’s a lot of humor in Oliver Jeffers’ relaxed, naïf illustrations, made to look like a child’s artwork: a pink monster; Santa Claus on a red fire truck (Red Crayon is tired of working, even on holidays!); and the triumphant, colorful final spread, in which Duncan attempts a piece of art to make all the crayons happy.
Sure to draw in young readers (the crayons demanded I use that pun), this entertaining set of monologues will also tickle their funny bones.