The Days of Anna Madrigal , the suspenseful, comic, and touching ninth novel in Armistead Maupin's bestselling "Tales of the City" series, follows one of modern literature's most unforgettable and enduring characters--Anna Madrigal, the legendary transgender landlady of 28 Barbary Lane--as she embarks on a road trip that will take her deep into her past.Read more...
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The Days of Anna Madrigal, the suspenseful, comic, and touching ninth novel in Armistead Maupin's bestselling "Tales of the City" series, follows one of modern literature's most unforgettable and enduring characters--Anna Madrigal, the legendary transgender landlady of 28 Barbary Lane--as she embarks on a road trip that will take her deep into her past.
Now ninety-two, and committed to the notion of "leaving like a lady," Mrs. Madrigal has seemingly found peace with her "logical family" in San Francisco: her devoted young caretaker Jake Greenleaf; her former tenant Brian Hawkins and his daughter Shawna; and Michael Tolliver and Mary Ann Singleton, who have known and loved Anna for nearly four decades.
Some members of Anna's family are bound for the otherworldly landscape of Burning Man, the art community in Nevada's Black Rock Desert where 60,000 revelers gather to construct a city designed to last only one week. Anna herself has another destination in mind: a lonely stretch of road outside of Winnemucca where the 16-year-old boy she once was ran away from the whorehouse he called home. With Brian and his beat-up RV, she journeys into the dusty troubled heart of her Depression childhood to unearth a lifetime of secrets and dreams and attend to unfinished business she has long avoided.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-11-11
- Reviewer: Staff
This ninth Tales of the City installment is Maupin’s farewell to his beloved cast of characters. While his last few books have highlighted San Francisco’s Michael “Mouse” Tolliver and Mary Ann Singleton, the author updates fans with 28 Barbary Lane’s now-92-year-old transgendered landlady, Anna Madrigal. Anna is given the snappy, plucky dialogue she’s known for, and some chapters reveal her backstory, including her 1930s childhood, when she was a boy named Andy. Everyone is on hand here: Brian, Mary Ann’s ex and father of her daughter Shawna, makes an appearance, accompanied by his “fiftyish and luscious” new wife Wren, a former plus-sized model, along with Mouse and Mary Ann. Maupin’s flare for dialogue and fully-realized, contemporary characterization is again on display, as he keeps things hip with the use of modern vernacular (“amazeballs”, “chillax”) and by incorporating iPads (Jake’s “magic slate”), Angry Birds, missives on Twitter, and hooking up on Facebook. The story culminates in the group’s attendance at the Burning Man “Fertility 2.0” festival, as Shawna searches for a sperm donor while Brian, Wren, and Anna detour off to Winnemucca for a revelatory reunion with Anna’s past. Limned with the comfort of unconditional love yet reflective of the frailty, the uncertainty, and the beauty of aging, this installment is a memorable, satisfying capstone to his series. (Feb.)