The Dry
by Jane Harper

Overview -

"A breathless page-turner, driven by the many revelations Ms. Harper dreams up...You'll love her] sleight of hand...A secret on every page." --The New York Times

"One of the most stunning debuts I've ever read...  Read more...

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More About The Dry by Jane Harper

"A breathless page-turner, driven by the many revelations Ms. Harper dreams up...You'll love her] sleight of hand...A secret on every page." --The New York Times

"One of the most stunning debuts I've ever read... Every word is near perfect." --David Baldacci

A small town hides big secrets in The Dry, an atmospheric, page-turning debut mystery by award-winning author Jane Harper.

After getting a note demanding his presence, Federal Agent Aaron Falk arrives in his hometown for the first time in decades to attend the funeral of his best friend, Luke. Twenty years ago when Falk was accused of murder, Luke was his alibi. Falk and his father fled under a cloud of suspicion, saved from prosecution only because of Luke's steadfast claim that the boys had been together at the time of the crime. But now more than one person knows they didn't tell the truth back then, and Luke is dead.

Amid the worst drought in a century, Falk and the local detective question what really happened to Luke. As Falk reluctantly investigates to see if there's more to Luke's death than there seems to be, long-buried mysteries resurface, as do the lies that have haunted them. And Falk will find that small towns have always hidden big secrets.

  • ISBN-13: 9781250105608
  • ISBN-10: 1250105609
  • Publisher: Flatiron Books
  • Publish Date: January 2017
  • Page Count: 336
  • Dimensions: 9.3 x 6.2 x 1.3 inches
  • Shipping Weight: 1.15 pounds

Related Categories

Books > Fiction > Mystery & Detective - Police Procedural
Books > Fiction > Mystery & Detective - International Mystery & Crime
Books > Fiction > Thrillers - Crime

BookPage Reviews

Award winners from Down Under

What sort of voices are shaping Australian fiction? Two new novels offer answers. Both are firsts for their authors, both were nominated for awards before they were even published and both are by women.

But here, the passing similarities end: Jane Harper’s The Dry is a contemporary murder mystery set in a rural town, while Emily Bitto’s The Strays takes the reader to Melbourne in the 1930s.

The Dry is one of the most talked-about debuts of the new year. During the worst drought of the century, Federal agent Aaron Falk is called back to Kiewarra, a small town in West Australia, to investigate a murder-suicide. His high school friend Luke Hadler appears to have murdered his wife and son before killing himself: another farmer pushed to the brink by the punishing weather.

As a favor to Hadler’s parents, Falk reluctantly launches an investigation with the help of local policeman Greg Raco. But most of the old residents of Kiewarra aren’t pleased to see Falk, who was run out of town 20 years earlier after being suspected in the death of his classmate Ellie Deacon. As Falk digs into the circumstances around Luke’s death, long-hidden mysteries and animosities begin to surface. 

Harper’s story is tightly plotted and moves briskly, the tension as brittle and incendiary as the dried-out crops on the Kiewarra farms. Falk is a quintessential detective: introverted, reserved and deeply wounded. But it is the beautifully evoked landscape and the portrayal of a gloomy outpost on the edge of a desert that are the stars of the show. 

[Read a Q&A with Jane Harper about The Dry.]

The Strays plunges the reader into a more cosmopolitan environment. On her first day of school, the socially tentative Lily is embraced by Eva, one of three daughters of the famous painter Evan Trentham and his wealthy wife, Helena. Growing up in a conventional Melbourne home in the 1930s, where an exciting evening is hot cocoa and a jigsaw puzzle, Lily is fascinated by the Trenthams’ rambling garden and the creative chaos of their family life, especially after Helena invites a group of fellow artists into the family home. This experiment in communal living, with its lack of rules and lively conversations and parties, seems delightful at first. But the youngest daughter, Heloise, troubled to begin with, becomes unnaturally close to her father’s greatest rival, with disastrous results. 

The novel is told in a series of flashbacks by the adult Lily, who looks back with a bittersweet mixture of fondness and disgust at the benign neglect under which the girls were raised. When Eva comes back to town for a retrospective of her father’s work, Lily begins to wonder why she was drawn to the Trenthams in the first place. 

Bitto loosely based the Trenthams on the Heide Circle, a group of Melbourne artists known for their unconventional lifestyles and named for the Heide communal house in which they lived. But The Strays is more of a psychological study than a historical one: As Lily begins to understand what happened at the Trenthams, she comes to terms with her role as a bystander to her own life. Told in both the breathless voice of an easily infatuated child and the more measured tones of a wiser adult, The Strays is a powerful tale of the consequences of creativity.

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