"Far and Away" collects Andrew Solomon s writings about places undergoing seismic shifts political, cultural, and spiritual. Read more...
"Far and Away" collects Andrew Solomon s writings about places undergoing seismic shifts political, cultural, and spiritual. Chronicling his stint on the barricades in Moscow in 1991, when he joined artists in resisting the coup whose failure ended the Soviet Union, his 2002 account of the rebirth of culture in Afghanistan following the fall of the Taliban, his insightful appraisal of a Myanmar seeped in contradictions as it slowly, fitfully pushes toward freedom, and many other stories of profound upheaval, this book provides a unique window onto the very idea of social change. With his signature brilliance and compassion, Solomon demonstrates both how history is altered by individuals, and how personal identities are altered when governments alter.
A journalist and essayist of remarkable perception and prescience, Solomon captures the essence of these cultures. Ranging across seven continents and twenty-five years, "Far and Away "takes a magnificent journey into the heart of extraordinarily diverse experiences, yet Solomon finds a common humanity wherever he travels. Illuminating the development of his own genius, his stories are always intimate and often both funny and deeply moving."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2016-03-14
- Reviewer: Staff
Revolution, genocide, and violent exhibitions of Chinese art are among the perils navigated in these adventurous essays. Journalist and psychologist Solomon (Far from the Tree) gamely plunges into global tragedies, hot spots, and cultural ferment: persecuted art scenes in Afghanistan and China; folkways of psychological depression in places as far-flung as Greenland, where the suicide rate is 10%, and post–Khmer Rouge Cambodia; the bureaucratic and political mazes of Libya under the Qaddafi dictatorship and Myanmar as military rule crumbles. Sprinkled in are calmer but wonderfully lyrical travel pieces portraying the primordial freedoms of Mongolian steppe nomads and the “hostile, exquisite, primitive vastness” of Antarctic ice fields. Solomon’s writing captures the sweep of history and social upheaval through vivid, fine-grained reportage that’s raptly attuned to individual experience. There are some real gems here, including a romantic, absurdist account of Moscow’s avant-garde artists facing down tanks and a piece aptly titled, “Naked, Covered in Ram’s Blood, Drinking a Coke, and Feeling Pretty Good.” But all the essays make for entertaining, thoughtful reads. (May)