The untold story of a New York City legend's education in creativity and style For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Read more...
The untold story of a New York City legend's education in creativity and style For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight them tooth-and-nail to pursue his love. When he arrived in New York, he reveled in people-watching. He spent his nights at opera openings and gate-crashing extravagant balls, where he would take note of the styles, new and old, watching how the gowns moved, how the jewels hung, how the hair laid on each head. This was his education, and the birth of the democratic and exuberant taste that he came to be famous for as a photographer for The New York Times. After two style mavens took Bill under their wing, his creativity thrived and he made a name for himself as a designer. Taking on the alias William J.--because designing under his family's name would have been a disgrace to his parents--Bill became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Bill's mission was to bring happiness to the world by making women an inspiration to themselves and everyone who saw them. These were halcyon days when fashion was all he ate and drank. When he was broke and hungry he'd stroll past the store windows on Fifth Avenue and feed himself on beautiful things. Fashion Climbing is the story of a young man striving to be the person he was born to be: a true original. But although he was one of the city's most recognized and treasured figures, Bill was also one of its most guarded. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away in his lifetime. He held off on sharing it--and himself--until his passing. Between these covers, is an education in style, an effervescent tale of a bohemian world as it once was, and a final gift to the readers of one of New York's great characters.
- ISBN-13: 9780525558705
- ISBN-10: 0525558705
- Publisher: Penguin Press
- Publish Date: September 2018
- Page Count: 256
- Dimensions: 8.3 x 5.7 x 1 inches
- Shipping Weight: 1.01 pounds
Elements of style
By definition, fashion is always in flux. As New York Times “On the Street” photographer Bill Cunningham explains, “An idea that is elegant at its time is an outrageous disgrace ten years earlier, daring five years before its height, and boring five years later.” These three books offer engaging looks at how trends evolve in the fashion world.
When Cunningham died in 2016, the world lost a trailblazing fashion icon. Thankfully, he left behind one last gift: a secret manuscript that’s now a book, Fashion Climbing: A Memoir with Photographs. And what a gift it is! You’ve never had such an effervescent guide through the style world—even fashion haters won’t be able to resist his charm.
Cunningham lived and breathed fashion from his earliest days, even though his mother “beat the hell out of him” when she caught him parading around their home in his sister’s dress as a preschooler. Despite his family’s shame, he doggedly pursued his passion, working after school in Jordan Marsh and Bonwit Teller department stores, where the gorgeous gowns made him think he’d “die of happiness.” With endless optimism, believing that “good came from every situation,” the Harvard dropout-turned-hat maker managed to transform being drafted into the Army in 1950 into a zany gig leading soldiers on weekend tours of Europe. Back home, he lived hand-to-mouth in his millinery shops and gate-crashed fashion shows, all the while making a name for himself.
Fashion Climbing is a multilayered fashion excursion and a heartfelt memoir that grabs you and never lets go. If only Cunningham had left behind a sequel covering the rest of his joyful, fashion-filled life.
STAN BY ME
Sometimes it’s best to simply embrace your worst feature. Early on, tennis player Stan Smith felt that was his feet: “One of the few disappointments of my tennis career were my big size 13 feet—yet the shoe I eventually wrapped around them enabled me to become better known than I could have ever imagined.” After being deemed too clumsy at age 15 to be a Davis Cup ball boy, Smith trained hard, eventually becoming a tennis great. Later, Smith’s sneaker deal with Adidas in the early 1970s led to a fashion craze and then a 1989 Guinness World Record, with 22 million pairs of those eponymous sneakers sold, more than any other “named” shoe.
Stan Smith: Some People Think I’m a Shoe—a weighty tome that’s nearly as big as Smith’s foot—is a self-contained sneaker museum, detailing the many incarnations and influences of his famously green-trimmed, white-leather shoe, which originally featured the name of French tennis star Robert Haillet. With detailed, personal commentary from the modest, affable Smith, this fact-filled compendium takes the form of an alphabet book, with entries like “V is for Versatility,” explaining how Stan Smiths became hip-hop’s favorite footwear. As Smith confesses, “I guess that I have become somewhat of a modern sneakerhead since my closet is full of both everyday and rare shoes that all happen to be Stan Smiths.”
Stan Smith is a unique blend of sports history, funky fashion chronicle and chic celebrity memoir.
Sarah Barrett Moulton: Pinkie, by Thomas Lawrence, 1794. From Pink, edited by Valerie Steele. Courtesy of the Huntington Art Collections, San Marino, California.
Perhaps like me, you have a love-hate relationship with the color pink. If so, you’ll enjoy exploring those complicated emotions with Pink: The History of a Punk, Pretty, Powerful Color. Consider just a few of its many shades: Drunk Tank pink, Kissing pink, Millennial pink, Naive pink and, of course, Princess pink. You’ll learn that Asians, especially the Japanese, seem to like pink more than Europeans do, while in the United States, pink has been called “the most divisive of colors.” And guess what: Pink didn’t become associated with girls in the U.S. until the 1930s, and the “pinkification of girl culture” didn’t take over until the 1970s and ’80s, spurred by Barbie’s wardrobe.
This lavishly illustrated pink menagerie features everything from French fashion of the 1700s to a 1956 ad for a pink Royal Electric typewriter and plenty of political pussy hats, plus the likes of Marilyn Monroe, Sugar Ray Robinson, Rihanna and Mamie Eisenhower all looking pretty in pink. Pink’s publication coincides with a major exhibition on view now at the Museum at the Fashion Institute of Technology. Editor Valerie Steele, the chief curator of the exhibit, includes an intriguing mix of essays written by a costume designer, an art historian, a gender studies expert and more.
Whatever you think of pink, there are fascinating tidbits on every page of this eye-catching history.