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The Girl Who Kicked the Hornet's Nest
by Stieg Larsson and Reg Keeland

Overview - The stunning third and final novel in Stieg Larsson's internationally best-selling trilogy

Lisbeth Salander--the heart of Larsson's two previous novels--lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital.  Read more...


 
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More About The Girl Who Kicked the Hornet's Nest by Stieg Larsson; Reg Keeland
 
 
 
Overview
The stunning third and final novel in Stieg Larsson's internationally best-selling trilogy

Lisbeth Salander--the heart of Larsson's two previous novels--lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She's fighting for her life in more ways than one: if and when she recovers, she'll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge--against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life.
Once upon a time, she was a victim. Now Salander is fighting back.

 
Details
  • ISBN-13: 9780307269997
  • ISBN-10: 030726999X
  • Publisher: Knopf Publishing Group
  • Publish Date: May 2010
  • Page Count: 576


Related Categories

Books > Fiction > Thrillers - Suspense

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page 37.
  • Review Date: 2010-03-29
  • Reviewer: Staff

The exhilarating conclusion to bestseller Larsson's Millennium trilogy (after The Girl Who Played with Fire) finds Lisbeth Salander, the brilliant computer hacker who was shot in the head in the final pages of Fire, alive, though still the prime suspect in three murders in Stockholm. While she convalesces under armed guard, journalist Mikael Blomkvist works to unravel the decades-old coverup surrounding the man who shot Salander: her father, Alexander Zalachenko, a Soviet intelligence defector and longtime secret asset to Säpo, Sweden's security police. Estranged throughout Fire, Blomkvist and Salander communicate primarily online, but their lack of physical interaction in no way diminishes the intensity of their unconventional relationship. Though Larsson (1954–2004) tends toward narrative excess, his was an undeniably powerful voice in crime fiction that will be sorely missed. 500,000 first printing. (May)

 
BookPage Reviews

Thrilling conclusion to a landmark trilogy

The final volume of Stieg Larsson’s Millennium trilogy, The Girl Who Kicked the Hornet’s Nest, finds neo-punk and genius hacker Lisbeth Salander recuperating from a bullet to the brain. She’s in no hurry to get better: A multiple-murder trial awaits her recovery. She has wreaked vengeance on her tormentors, who conspired to imprison her for most of her teen years. A few are dead, and the rest are scurrying to cover their tracks and somehow neutralize her before she can incriminate them. So was it murder, or self-defense? Or is there just the slightest possibility that Salander is, if not entirely innocent, at least not guilty in the eyes of the law?

Helping Salander from outside is renegade journalist Mikael Blomkvist, at times the focus of Salander’s affections, and more recently the object of her unbridled loathing. Blomkvist isn’t exactly sure how he fell from her graces, and she has not been forthcoming with the answer; indeed, she rebuffs his every advance. And so this uneasy pair labors, sometimes at odds, sometimes in parallel, in pursuit of Salander’s freedom.

The Girl Who Kicked the Hornet’s Nest neatly ties together all the loose ends from the previous two cliffhangers, yet it still leaves the reader yearning for more. At the time of his death, Larsson left behind an unfinished manuscript of what would have been the fourth book in the series, and synopses of the fifth and sixth. Sadly, we will probably never see them, at least not as the author intended.

 
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