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Giving in
by Maya Banks

Overview - FROM THE "MUST-READ AUTHOR" ("ROMANCE JUNKIES") OF "LETTING GO"--THE NEW NOVEL IN HER SURRENDER TRILOGY.
In her sensational Breathless Trilogy, "New York Times" bestselling author Maya Banks tested the boundaries of desire. In her new trilogy, there's only one thing left to do: cross them.
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More About Giving in by Maya Banks
 
 
 
Overview
FROM THE "MUST-READ AUTHOR" ("ROMANCE JUNKIES") OF "LETTING GO"--THE NEW NOVEL IN HER SURRENDER TRILOGY.
In her sensational Breathless Trilogy, "New York Times" bestselling author Maya Banks tested the boundaries of desire. In her new trilogy, there's only one thing left to do: cross them. Now, the story continues as one woman, haunted by the shadows of the past, explores the possibilities of a new beginning in ways she never could have imagined...
Kylie sees the way Jensen looks at her. The dark promise in his eyes. That rough edge of dominance she knows he possesses. But dominance is the one thing that frightens her above all else. She and her brother barely survived a childhood steeped in violence and abuse. She could never give up total control and submit to a man. Especially a man like Jensen. Could she?
Jensen sees the shadows in Kylie's eyes. Knows he has to tread very carefully or risk losing any chance he has with her. All he wants is the opportunity to show her that dominance doesn't equal pain, bondage or discipline. That emotional surrender is the most powerful of all, and that to submit fully to him will fulfill the aching void in her heart in a way nothing else ever will.

 
Details
  • ISBN-13: 9780425272961
  • ISBN-10: 0425272966
  • Publisher: Berkley Publishing Group
  • Publish Date: May 2014
  • Page Count: 291
  • Reading Level: Ages 18-UP

Series: Surrender Trilogy (Maya Banks) #1

Related Categories

Books > Fiction > Romance - Contemporary

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2014-03-31
  • Reviewer: Staff

Kylie Breckenridge’s brother, Carson, is dead, and she doesn’t think she can move on the way that Joss, Carson’s widow and Kylie’s best friend, did in Letting Go. Carson was Kylie’s only family, and the only one who truly understood their deeply abusive childhood. Kylie bristles at the demeanor of her temperamental and pushy new boss, Jensen—who has a troubled past of his own—but he challenges Kylie in ways that bring out the best in her, even as she struggles to accept not only Jensen’s sexual dominance but any intimacy at all. The often repetitive narrative lacks depth: descriptive passages are rare, conflicts are easily resolved, and the issue of dominance and submission is very toned down. Still, there’s an appealing sweetness at the core of Kylie and Jensen’s relationship, particularly in the sacrifices Jensen makes to help Kylie feel safe and cherished. The romance simmers rather than sizzles, which may surprise fans of Banks’s raunchier books. (May)

 
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