" The Good Assassin opens up Hemingway's Cuba. Read more...
"The Good Assassin opens up Hemingway's Cuba. Possessing Alan Furst's attention for period detail and the deft character touches of John Le Carre, Vidich has quickly carved out a place for himself among the very first rank of espionage writers. It's a masterful effort and the author's best work to date."--Michael Harvey, New York Times bestselling author of The Chicago Way
"The Good Assassin is first-rate literary espionage . . . Author Paul Vidich has evoked not only the intrigue and brutality of Batista's Cuba, but the island itself . . . a masterful work of noir fiction."--Susan Isaacs, New York Times bestselling author of A Hint of Strangeness
Paul Vidich follows up his acclaimed debut spy thriller with a suspenseful tale of Cold War espionage set in 1950s Cuba, as foreign powers compete to influence the outcome of a revolution.
Former CIA Agent George Mueller arrives in Havana in August 1958--the last months before the fall of Cuban dictator Fulgencio Batista--to look into the activities of Toby Graham, a CIA officer suspected of harboring sympathies for the rebel forces fighting the unpopular Batista regime. Mueller knew Graham as an undergraduate and later they were colleagues in Berlin fighting the Soviet NKVD. Under the guise of their long acquaintance Mueller is recruited to vet rumors that Graham is putting weapons, covertly provided by the CIA to Batista, into the hands of Castro's forces. Public exposure of the CIA weapons mission, and the activity of one rogue agent, threaten to embarrass the agency.
Mueller uncovers a world of deceit as the FBI, CIA, and State Department compete to influence the outcome of the revolution in the face of the brutal dictatorship's imminent collapse. Graham, meanwhile, is troubled by the hypocrisy of a bankrupt US foreign policy, and has fallen in love with a married American woman, Liz Malone.
Paul Vidich has written a powerful story of ideals, passions, betrayals, and corrupting political rivalries in the months before Castro's triumphant march into Havana on New Year's Day 1959. This sequel showcases the widely praised talents of Paul Vidich, who Booklist says, "writes with an economy of style that acclaimed novelists might do well to emulate."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2017-01-30
- Reviewer: Staff
Cuba in the late 1950s provides the backdrop for Vidichs simmering, old-fashioned literary spy tale, the sequel to 2016s An Honorable Man. The CIA director persuades retired agent George Mueller to go to Cuba during the perilous last throes of the Batista regime to investigate Toby Graham, a CIA operative suspected of assisting Fidel Castros rebel fighters with diverted CIA weaponry. Posing as a magazine travel writer, Mueller reconnects with Jack and Liz Malone, old friends who have relocated to Cuba and are unable to see the coming upheaval in their lives, both political and personal. Tobys betrayals arent limited to his mission, and Mueller must make a choice between justice and duty, between loyalty to his profession and to his friends. A novel of prerevolutionary Cuba can scarcely escape nods to Ernest Hemingway and Graham Greene, but Vidich most deliberately evokes F. Scott Fitzgeralds The Great Gatsby, from the opening epigraph to the denouement. The high quality of the authors prose makes this a worthy homage. Agent: Will Roberts, Gernert Company. (Apr.)
Whodunit: A spy game during the Cuban Revolution
It’s 1958, and Cuba is a wildly popular tourist destination. Ernest Hemingway holds court in his home outside the capital; tail-finned and chromed cars cruise along Havana’s Malecón; but talk of revolution is beginning to spill over into the cities, threatening the lucrative casinos and the tourist industry at large. Among the U.S. spy community, there is suspicion that Cuba-based CIA agent Toby Graham has grown sympathetic to Castro, a decidedly un-American move—especially when the CIA is clandestinely supporting Batista. They’ve been sending weapons his way, some of which are inexplicably showing up in the hands of Castro’s rebels. Enter career academic George Mueller, the reluctant once-and-future spy hero of Paul Vidich’s fast-paced novel The Good Assassin. He has known Toby since college, and if anyone can get to the bottom of this, it will be George. But does he really want to? After all, American policy vis-a-vis Cuba is notoriously corrupt, and Toby and George share a history of camaraderie and a mutual respect. Duplicity, intrigues within intrigues and a fat fistful of surprises abound in one of the best recent additions to the world of espionage fiction.
BEHIND NAZI LINES
The spy theme continues with William Christie’s A Single Spy, a wickedly suspenseful novel of intelligence and counterintelligence, opening in 1936. The protagonist is Alexsi Smirnov, a Russian double agent with no real loyalty to anyone but himself. In all fairness, he should owe no allegiance to his handlers, who gave him the choice of prison or becoming a mole in prewar Nazi Germany. His cover is that of a high-ranking Nazi official’s long-lost nephew, and in that guise he remains for seven years, until he is recruited by the Abwehr, the wartime German intelligence agency. This plays right into the Russians’ schemes, never mind that it firmly places our hero in a no man’s land that is equal parts chessboard and minefield. And then comes the Tehran Conference, where Allied leaders will gather to plot their next moves in the war, unless the Gestapo can count on Alexsi to pull off the Grand Troika of assassinations: three world leaders in one go. History, atmosphere and suspense—it’s all here, and then some.
THE LEGACY OF AN OUTLAW
Retired lawman Bob Lee Swagger has had quite the career. G-Man is the 10th in Stephen Hunter’s popular series, and nowadays Bob professes to be comfy resting on his laurels. His wife knows different. She doesn’t want him to go back into law enforcement, but she has this crazy idea that he should write a book. He is at first dismissive of the notion, but when a strongbox full of his grandfather’s possessions (a well-preserved .45 automatic, assorted memorabilia dating back to 1934 and cryptic directions to a unidentified treasure) is unearthed on the old family property, Bob has a starting point for a book. Or, if not a book, at least the sort of investigation that will get him out from under his wife’s feet for a time. Bob knows very little about his grandfather, Charles Swagger; the man died before Bob was born, and Bob’s father never talked much about the old man. The chapters alternate between the present day and Charles’ cop work during the gangster era of 1930s Chicago. The tension is palpable, helped along by the shifting of time and two generations of Swaggers, in all their swaggering (and sometimes staggering) glory.
TOP PICK IN MYSTERY
The Thirst is the 11th installment in Jo Nesbø’s award-winning and critically acclaimed suspense series featuring Oslo cop Harry Hole. It is, in many ways, a look back at Harry’s One Failed Case. The one that got away. Every police detective has one story like this, and a modern-day wave of killings is certainly stirring up some frightening ghosts for Harry, as it bears striking similarities to his failed case that refuse to be ignored. The killer is high-tech, targeting users of the popular dating app Tinder (clearly an idea whose time has come).
With several of his demons at least momentarily at bay, Harry is married as happily as a recently tormented man can be, and life is more or less on an even keel. Except for the nightmares about the One Failed Case. Oh, and there is the small matter of his corrupt boss (and longtime nemesis), Mikael Bellman, who summons Harry to spearhead the Tinder murder investigation—not with any interest in solving the crimes, but rather to further Bellman’s political aspirations. If you’re looking for a straightforward police procedural, look elsewhere. Like the novels that preceded it, this installment is long on character development, atmosphere and nuance, but the path from the crime scene to the resolution is convoluted with a capital C. That said, the series has sold some 30 million books, so clearly Nesbø’s style has been resonating with lots of folks since day one.