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More About The Good Girl by Mary KubicaOverviewRead the bestseller everyone is talking about "A cleverly constructed suspense thriller." --Chicago Tribune, Printer's Row "A twisty, roller coaster ride of a debut. Fans of Gone Girl will embrace this equally evocative tale." --Lisa Gardner, #1 New York Times bestselling author "Riveting psychological thriller."--Lisa Scottoline, New York Times bestselling author on Don't You Cry "I've been following her for the past few days. I know where she buys her groceries, where she has her dry cleaning done, where she works. I don't know the color of her eyes or what they look like when she's scared. But I will." One night, Mia Dennett enters a bar to meet her on-again, off-again boyfriend. But when he doesn't show, she unwisely leaves with an enigmatic stranger. At first Colin Thatcher seems like a safe one-night stand. But following Colin home will turn out to be the worst mistake of Mia's life. When Colin decides to hide Mia in a secluded cabin in rural Minnesota instead of delivering her to his employers, Mia's mother, Eve, and detective Gabe Hoffman will stop at nothing to find them. But no one could have predicted the emotional entanglements that eventually cause this family's world to shatter. An addictively suspenseful and tautly written thriller, The Good Girl is a propulsive debut that reveals how even in the perfect family, nothing is as it seems. More Praise "Kubica's powerful debut...will encourage comparisons to Gone Girl."--Publishers Weekly, starred review "A high-intensity thriller, a psychological puzzle that will keep readers on their toes."--BookPage Read the New York Times bestselling follow-up novel Pretty Baby by Mary Kubica. Look for Mary's latest complex and addictive tale of deceit and obsession, Don't You Cry. Order your copies today
A daughter's captor
Mary Kubica’s debut, The Good Girl, is a constant game of cat and mouse. In this tense psychological thriller, Mia Dennett’s abduction poses questions about relationships, their boundaries and their limits.
The Good Girl offers an unusual perspective on Stockholm syndrome. Do you believe there are situations when a captor can actually be a protector—and vice versa?
Yes, I absolutely do. I feel that in certain situations where the victim and perpetrator must rely on each other for survival, their roles can evolve from a hierarchical system into a relationship based on mutual understanding—and a knowledge of the fact that their very existence may depend on the other. That dependence on one another could certainly allow a captor to take on the role of protector, or the victim to take on a more assertive role in the relationship.
Mia’s mother plays a major role in the kidnapping investigation. How did your own fears as a mother play into this story?
I sympathize with Eve Dennett on every level. For a mother, having your child vanish into thin air is utterly incomprehensible. I tried hard to explore the emotions I may have felt had it been my child who disappeared, considering everything from fear to sadness to anger. But Eve has more to deal with than just a missing child. She’s also trying to make amends for poor decisions she’s made in the past and suffers from grief, regret and longing all at the same time. This too I can sympathize with; as a mother, it’s easy to make spur-of-the-moment decisions we later regret. Raising children is no easy task, a fact which I’ve tried to make evident in the case of Eve.
Shifting before-and-after perspectives keep readers guessing throughout The Good Girl. What did you find to be the greatest challenge in crafting such a puzzling thriller?
I’d have to say that the greatest challenge came in the editing process. Because of the various twists and turns and the overlapping storylines, every aspect of The Good Girl is tightly connected. As any one detail—no matter how trivial—changed, it unraveled a seemingly endless number of threads, so that I would need to reread the manuscript again and again—and yet again—to make sure I had revised all other mentions of the change—a challenging task, and yet one I enjoyed!
You seem equally at home setting your story in busy Chicago streets or quiet Minnesota woods. Are you a city girl or a country girl?
This is a great question! By and large I’m a city girl. I like a little noise and the close proximity of neighbors; I like the luxuries of city life and knowing there is a grocery store and a coffee shop nearby. That said, I also love the beauty and serenity of the country; I’m always up for a walk through the woods or exploring the countryside—though I have a strong aversion to bugs. Would I like to be trapped inside a rural, rustic cabin for months on end? No, thank you. But a long weekend in the country . . . that’s much more my style, as long as I can get back to the city as soon as the weekend is through.