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The Humming Room
by Ellen Potter


Overview -

Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.

As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island.  Read more...


 
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More About The Humming Room by Ellen Potter
 
 
 
Overview

Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.

As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she keeps hearing? And who is that strange wild boy who lives on the river? People are lying to her, and Roo becomes determined to find the truth.

Despite the best efforts of her uncle's assistants, Roo discovers the house's hidden room--a garden with a tragic secret.

Inspired by "The Secret Garden," this tale full of unusual characters and mysterious secrets is a story that only Ellen Potter could write.

Read the Q&A with Ellen Potter from "Publisher's Weekly" on writing a novel inspired by The Secret Garden

By Sally Lodge
Jan 12, 2011

In 2003, Ellen Potter made a lively splash onto the scene with her middle-grade novel Olivia Kidney. She went on to write three sequels about that enchantingly quirky heroine, as well as two other novels, Slob and The Kneebone Boy. Most recently, the author tapped into memories of her own childhood reading to pen The Humming Room, a novel inspired by Frances Hodgson Burnett's The Secret Garden. Set in a mansion-a former children's tuberculosis sanitarium-on an island in the St. Lawrence River, the story centers on Roo, a prickly orphan who goes to live with her aloof uncle, and befriends Phillip, his troubled son, and Jack, a local boy. Potter talks about how this novel took shape.

Is it safe to assume that The Secret Garden was an important book to you as a child?

Obviously, I loved the novel as a kid. What really struck me was that when I went back to read it as an adult, the story not only held up, but I discovered elements in it I had never noticed before. It felt very fresh, and surprisingly layered in a way I hadn't realized as a child.

Was that an unusual reaction for you to have to a book you revisit from your childhood?

Ellen Potter. Photo: Shai Enav.
Yes, very unusual for me. A lot of times when I go back to books I loved when I was young I don't quite understand what it was that I loved about them. Rereading The Secret Garden, Ifelt a lot like Mary feels when she visits her garden. She's always finding something new popping up-something delightful or surprising. I've reread The Secret Garden every year as an adult. I have a battered copy on my bookshelf-it's really quite a mess The experience of reading the novel keeps deepening for me.

How did you tackle the actual writing of The Humming Room?
The idea of writing a contemporary version of The Secret Garden was very exciting to me, yet at the same time it was very, very intimidating. I knew I needed to follow the original story line-or that I wanted to-but I knew I had to make it different enough that it would be worthwhile for people to read my novel. My editor, Jean Feiwel, was great and kept encouraging me to have at it, to go anywhere that I felt I had to go with it.

Did you set parameters for yourself, in terms of working within Burnett's original storyline?
I actually kept trying to swerve away from the original story, but it wasn't easy. There's something about The Secret Garden that kept me rooted in the original storyline, which was difficult for me. I don't plot my novels-I move along with my characters. For the first time I had a story already set out for me, which was very challenging.

Would you say that you heard Burnett's voice in your head as you wrote?
Yes. I feel I know The Secret Garden so well that I could kind of riff on it like a jazz musician. I know it in my core, and could take the essence and work with that. Still, I love the original novel so much that it was psychologically a very tough book to write. Though I think whenever I finish a book I always say it's the hardest thing I've ever written

You obviously did branch out from the original, with the setting to begin with. Why choose an island on the St. Lawrence?
I went back and forth on the setting, actually. At first I thought of perhaps setting it in New York City, but that didn't work. At the time I began writing the novel I was living in the Thousand Islands, and was spending a lot of time on the St. Lawrence. The river is so very beautiful, and it struck me as similar in some ways to the moor in The Secret Garden.

Similar in what ways?

The St. Lawrence seems a vast expanse of gray, the way the moor is a vast expanse of purple. But if you stop and look closely at the river, it's incredibly changeable and moody-and sometimes violent. But it's always surprising. And it occurred to me that this would be a perfect setting for The Humming Room. On top of that, there are quite a few mansions in the Thousand Islands with ghost stories attached to them. It's quite incredible.

So that inspired your mansion setting, with mysterious humming noises and an abandoned garden hidden within it?

Yes, and I decided to make the mansion a defunct sanitarium, because I wanted there to be a ghostly presence, an eerie echo, in the house. One of the things I loved in The Secret Garden, and tried to put in my novel, was that there was a consciousness to everything-the house, the moor, and the garden. They are really characters themselves. In my novel, I wanted to give this same consciousness and self-awareness to the mansion, the river, and the garden, to give them personalities.

How did you set out to make Roo, Jack, and Phillip distinct from-and have a more modern sensibility than-Burnett's characters?
One thing I remember about Mary and Dickon is that there was a little squeak of romance in their relationship, but it was so understated. As a child, I remember wanting more romance in the book. So I brought out a bit more romance between Roo and Jack. It's a young romance and entirely innocent, but it's there. With Phillip, my Colin character, I tried at first to make his ailment physical, like Colin's, but that didn't work, so I decided to give Phillip a more mental affliction, which worked better for the story. And like Mary, Roo starts off as a not very likable character-she's a pretty tough customer. That's unusual for a heroine, and I loved that about The Secret Garden. But before long Mary begins to blossom, and that happens to Roo as well.

Have you tackled another writing project since finishing The Humming Room?

Yes. I'm working on a series for younger readers, for Feiwel and Friends. It's directed at boys-though I think girls will like it, too. I have a son who is seven, and I've been noticing for a while how few very engaging books there are for boys around that age. They somehow get the short shrift. Boys at that age who are big readers are reading books like Diary of a Wimpy Kid, which deal with middle-school issues that seven-year-olds are not yet concerned about. So I'm trying to write something along those lines, but more appropriate for younger kids. As I write, I've been trying out scenes on my son. I wait for his giggle, and if it comes, I keep that part in the book. Luckily, it's a method that seems to be working quite well

- "Publisher's Weekly, " January 2012

 
Details
  • ISBN-13: 9780312644383
  • ISBN-10: 0312644388
  • Publisher: Feiwel & Friends
  • Publish Date: February 2012
  • Page Count: 184
  • Reading Level: Ages 9-12
  • Dimensions: 8.38 x 5.8 x 0.78 inches
  • Shipping Weight: 0.67 pounds


Related Categories

Books > Juvenile Fiction > Mysteries, Espionage, & Detective Stories
Books > Juvenile Fiction > Fantasy & Magic
Books > Juvenile Fiction > Family - Orphans & Foster Homes

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2012-01-02
  • Reviewer: Staff

In a resonant novel inspired by The Secret Garden, Potter (The Kneebone Boy) pays graceful tribute to the spirit of that classic. The author borrows plot elements effectively, yet her strong characterizations, fluid dialogue, and evocative descriptions give the novel a vibrant life of its own. After Roo’s drug dealer father is killed, the 12-year-old girl goes to live with her aloof, widowed uncle in a rambling former tuberculosis sanitarium on the island of Cough Rock in the St. Lawrence River. Roo is a loner who hides to avoid others and often puts her ear to the soil, listening to the sounds of life underground. Other noises—mysterious humming and crying—lead Roo to twin discoveries: Emmett, a cousin she didn’t know existed, and a domed, dried-up garden in a remote part of the house. Potter lavishes attention on the gothic island setting and Roo’s uncle’s estate; it’s a thrilling ghost story, but one that, like the story it’s drawn from, has love and rebirth at its heart. Ages 9–12. Agent: Alice Tasman, Jean V. Naggar Literary Agency. (Feb.)

 
BookPage Reviews

The healing power of a hidden garden

For anyone who has read Frances Hodgson Burnett’s The Secret Garden, Ellen Potter’s latest book will feel very familiar. In The Humming Room, Potter has taken the metaphor of wild, neglected garden as wild, neglected child and updated it for a new audience.

Like Mary in The Secret Garden, Roo finds herself living with people she does not know, in a house that has many secrets. Her estranged uncle has no interest in her and his secretary is cool and efficient, but not loving and kind. Roo is used to being on her own and taking care of herself, so the isolation is welcome and comforting. What is not comforting, however, is the strange humming she can hear through the walls. Where is it coming from? Why hasn’t she been allowed to meet whoever is making those sounds?

Roo is not a happy child, nor necessarily a lovable character, but we understand how she thinks and what she needs to feel at peace. When she encounters who it is that is making the humming sound, Roo must learn how to include others in her world, opening her heart in the process.

Roo’s connection with the natural world is lovingly portrayed throughout the story, making her discovery and need to revive a lost garden quite understandable. All the wildness in this book—in Roo, in the garden, in the humming room—is not tamed but given room to grow and thrive. A cared-for garden is very much like a cared-for child: Given love and attention, both bloom into wondrous things.

This book is not a substitute for Burnett’s, but could be considered a welcome addition, one perhaps better suited for younger readers not yet ready for the fuller complexities of The Secret Garden.

 
BAM Customer Reviews