The residents and neighbors of 44 Scotland Street and the city of Edinburgh come to vivid life in these gently satirical, wonderfully perceptive serial novels, featuring six-year-old Bertie, a remarkably precocious boy just ask his mother. Read more...
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The residents and neighbors of 44 Scotland Street and the city of Edinburgh come to vivid life in these gently satirical, wonderfully perceptive serial novels, featuring six-year-old Bertie, a remarkably precocious boy just ask his mother.
The great city of Edinburgh is renowned for its impeccable restraint, so how, then, did the extended family of 44 Scotland Street come to be trembling on the brink of reckless self-indulgence? After seven years and five books, Bertie is finally about to turn seven. But one afternoon he mislays his meddling mother Irene, and learns a valuable lesson: wish-fulfillment can be a dangerous business. Angus and Domenica contemplate whether to give in to romance on holiday in Italy, and even usually down-to-earth Big Lou is overheard discussing cosmetic surgery. Funny, warm, and heartfelt as ever, The Importance of Being Sevenoffers fresh and wise insights into philosophy and fraternity among Edinburgh's most lovable residents."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2012-07-16
- Reviewer: Staff
With the arrival of the sixth novel (after Bertie Plays the Blues) in his 44 Scotland Street series, McCall Smith again shows his mastery of light comedy. The residents of 44 Scotland Street are quickly introduced: art dealer Matthew and his new bride, Elspeth; Irene Pollock, husband Stuart, precocious son Bertie, and pretentiously named baby Ulysses; painter Angus Lordie (and his faithful, heroic dog, Cyril); the “private scholar” and freelance anthropologist Domenica Macdonald; plus other, minor characters, notably the philosophizing cafe proprietress Big Lou. The plot lines are many: Elspeth’s pregnancy; Angus and Domenica might be falling in love; and Bertie, approaching the titular important age, needs to feel like a boy, though his monstrous but well-meaning mother is too busy introducing him to the poetry of W.H. Auden and creating Oedipal issues. McCall’s brilliance lies in his ability to juggle so much in a way that feels seamless, even if the narrative arcs themselves tend to the fanciful. The drama may be slight, but what pulls the reader in is the good natures of (almost) all the characters and McCall’s uncanny ability to see their world as they do, and to render their worries, pleasures, and musings with charm, grace, and geniality. Agent: Robin Straus. (Sept.)