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Ironskin
by Tina Connolly

Overview -

Jane Eliot wears an iron mask.
It's the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain--the ironskin.
When a carefully worded listing appears for a governess to assist with a "delicate situation"--a child born during the Great War--Jane is certain the child is fey-cursed, and that she can help.  Read more...


 
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More About Ironskin by Tina Connolly
 
 
 
Overview

Jane Eliot wears an iron mask.
It's the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain--the ironskin.
When a carefully worded listing appears for a governess to assist with a "delicate situation"--a child born during the Great War--Jane is certain the child is fey-cursed, and that she can help.
Teaching the unruly Dorie to suppress her curse is hard enough; she certainly didn't expect to fall for the girl's father, the enigmatic artist Edward Rochart. But her blossoming crush is stifled by her scars and by his parade of women. Ugly women, who enter his closed studio...and come out as beautiful as the fey.
Jane knows Rochart cannot love her, just as she knows that she must wear iron for the rest of her life. But what if neither of these things are true? Step by step Jane unlocks the secrets of a new life--and discovers just how far she will go to become whole again.

 
Details
  • ISBN-13: 9780765330598
  • ISBN-10: 0765330598
  • Publisher: Tor Books
  • Publish Date: October 2012
  • Page Count: 304


Related Categories

Books > Fiction > Fantasy - General

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2012-08-06
  • Reviewer: Staff

Steeped in the gothic tradition and borrowing freely from Jane Eyre, this debut romantic fantasy takes few risks with an old-school tale of love, betrayal, and redemption. Jane Eliot, covering her fey-scarred face with an iron half-mask to prevent her magically induced rage from leaking out, takes a position as a governess at a half-ruined manor house on the moors. Dorie, Jane’s charge, is also fey-cursed; her mother, while pregnant, was taken over by the fey during the Great War. Dorie’s father, Edward Rochart, broods over Dorie’s fate as well as his own dark bargains with the fey who haunt the nearby woods. Emotive eyes are a frequent feature (“There was a well of sorrow in those amber eyes”; “The waterfall of desire spilled over into her eyes”). The characters are rather modern in their growing appreciation of their fey “curses,” whose powers they tend to adopt rather than rejecting them in horror, but Connolly provides plenty of discussion of fashion, courtship, and marriage for fans of Victorian gothics. Agent: Ginger Clark, Curtis Brown. (Oct.)

 
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