It used to be that Belly counted the days until summer, until she was back at Cousins Beach with Conrad and Jeremiah. But not this year. Not after Susannah got sick again and Conrad stopped caring. Read more...
It used to be that Belly counted the days until summer, until she was back at Cousins Beach with Conrad and Jeremiah. But not this year. Not after Susannah got sick again and Conrad stopped caring. Everything that was right and good has fallen apart, leaving Belly wishing summer would never come.
But when Jeremiah calls saying Conrad has disappeared, Belly knows what she must do to make things right again. And it can only happen back at the beach house, the three of them together, the way things used to be. If this summer really and truly is the last summer, it should end the way it started--at Cousins Beach.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page 56.
- Review Date: 2010-03-15
- Reviewer: Staff
In this second book of the planned trilogy that began with The Summer I Turned Pretty, 16-year-old Belly Conklin feels displaced. Unlike years past, she won't be at the beach with her mother's best friend, Susannah, and Susannah's sons, Jeremiah and Conrad. This summer, “I wasn't in Cousins. Conrad and I weren't together, and Susannah was dead.” When Belly learns from Jeremiah that Conrad has disappeared, she immediately agrees to help; their search leads them to the beach house, where Conrad is hiding out. Belly's plaintive voice sometimes makes her sound too young, but Han realistically touches upon the characters' various reactions to grief—Belly's mother becomes withdrawn, Conrad fiercely protects the house (his father wants to sell it), Belly has trouble processing the permanence of loss—as well as Belly's emotional entanglements with the brothers (occasional chapters are told from Jeremiah's perspective, and Belly reflects on her failed romance with Conrad). Though the fate of the summer house is resolved a bit quickly, Belly's difficult relationship with her best friend and her standing with the boys hang in the balance, which should leave readers anxious for the final installment. Ages 12–up. (Apr.)