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The Joker
by Brian Azzarello and Lee Bermejo


Overview - In the all-new, hardcover original graphic novel JOKER, writer Brian Azzarello (100 BULLETS) and artist Lee Bermejo (HELLBLAZER covers) – the creative team behind the acclaimed miniseries LEX LUTHOR: MAN OF STEEL – show an even darker and more disturbing side to the most dangerous man in Gotham: The Joker.  Read more...

 
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More About The Joker by Brian Azzarello; Lee Bermejo
 
 
 
Overview
In the all-new, hardcover original graphic novel JOKER, writer Brian Azzarello (100 BULLETS) and artist Lee Bermejo (HELLBLAZER covers) – the creative team behind the acclaimed miniseries LEX LUTHOR: MAN OF STEEL – show an even darker and more disturbing side to the most dangerous man in Gotham: The Joker.

After yet another stint in Arkham Asylum, The Joker finds "his city" divided among mobsters and costumed villains. Not content to settle for a piece of the pie, The Joker vows to take back the whole damn enchilada by any means necessary. Look for appearances by a slew of Gotham's most wanted, including gritty takes on Two-Face, Riddler, Killer Croc, Penguin, Harley Quinn and even Batman!

Not since THE KILLING JOKE have you seen such a powerful tale of The Joker – you won't want to miss this one!

 
Details
  • ISBN-13: 9781401215811
  • ISBN-10: 1401215815
  • Publisher: DC Comics
  • Publish Date: November 2008
  • Page Count: 128


Related Categories

Books > Comics & Graphic Novels > Superheroes

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page 37.
  • Review Date: 2008-11-17
  • Reviewer: Staff

Building on Heath Ledger’s performance in The Dark Knight (although long before the movie’s debut), Azzarello creates a memorably cringe-worthy story. Rather than a natty Clown Prince of Crime, this Joker looks like a glam rocker gone to toxic seed. Newly released from Arkham Asylum, he begins disorganizing the criminal establishment of Gotham City. Although he claims to want power and money when he confronts Two Face and his peers, he really seems just to enjoy playing with people—shooting them, setting them on fire or skinning them alive. Accompanying him is Jonny Frost, a young thug who takes a long time to recognize the drawbacks of seeing a vicious sociopath as a role model. Like Jonny, however, readers may find that, horrifying as the Joker is, they can’t take their eyes off him. Even Batman, when he inevitably enters the action, functions largely as the Joker’s partner in a dance of death. Azzarello has learned how to create a menacing, morally ambivalent atmosphere in his years of scripting 100 Bullets, and Bermejo’s jagged, shadow-saturated art sustains the mood. The result is fascinating but extremely dark. (Nov.)

 
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