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Kaijumax, Season 1
by Zander Cannon


Overview - THE COMPLETE SEASON ONE On a remote island in the South Pacific lies KAIJUMAX, a maximum security prison for giant monsters. Follow doting father Electrogor as he stands up to the cruel space-superhero warden See corrupt guard Gupta manage his illicit uranium-dealing empire and pay off his gambling debts to the Queen of the Moon Watch Mecha-Zon battle his own programming when the monster he was created to destroy shows up on the pound These stories and more will assault you from every angle in the cesspool of corruption that is KAIJUMAX.  Read more...

 
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More About Kaijumax, Season 1 by Zander Cannon
 
 
 
Overview
THE COMPLETE SEASON ONE On a remote island in the South Pacific lies KAIJUMAX, a maximum security prison for giant monsters. Follow doting father Electrogor as he stands up to the cruel space-superhero warden See corrupt guard Gupta manage his illicit uranium-dealing empire and pay off his gambling debts to the Queen of the Moon Watch Mecha-Zon battle his own programming when the monster he was created to destroy shows up on the pound These stories and more will assault you from every angle in the cesspool of corruption that is KAIJUMAX.

 
Details
  • ISBN-13: 9781620102701
  • ISBN-10: 1620102706
  • Publisher: Oni Press
  • Publish Date: March 2016
  • Page Count: 168
  • Reading Level: Ages 16-UP
  • Dimensions: 10.2 x 6.5 x 0.5 inches
  • Shipping Weight: 1 pounds


Related Categories

Books > Comics & Graphic Novels > Science Fiction

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2015-12-07
  • Reviewer: Staff

Godzilla meets Oz in this clever exploration of prison life. Electrogor, an electricity-based monster, is the newest inmate at Kaijumax, a facility designed for the detention of enormous cryptids, robots, mythical beasts, and nuclear eco-parables. Amid gang warfare, merciless guards, and a thriving trade in contraband uranium, only the strong surviveas Electrogor, preoccupied with the son and daughter he left behind, discovers to his peril. Cannon (Heck) does a wonderful job of exploring both the serious and comic aspects of his high concept, such as the monsters specialized slang and their frustration in a world not built to their size. Visually, his work is poppy and bright, without detracting from the more somber moments. Though the story suffers slightly from its reliance on established genre tropes, and it would benefit from further exploration of life beyond the prison, it still establishes a fresh take on monsters and prison drama. (Feb.)

 
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