A mesmerizing, moving, and elegantly written debut novel, The Language of Flowers beautifully weaves past and present, creating a vivid portrait of an unforgettable woman whose gift for flowers helps her change the lives of others even as she struggles to overcome her own troubled past.Read more...
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More About The Language of Flowers by Vanessa DiffenbaughOverview
- A Victorian Flower Dictionary
A mesmerizing, moving, and elegantly written debut novel, The Language of Flowers beautifully weaves past and present, creating a vivid portrait of an unforgettable woman whose gift for flowers helps her change the lives of others even as she struggles to overcome her own troubled past.
The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, its been more useful in communicating grief, mistrust, and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings.
Now eighteen and emancipated from the system, Victoria has nowhere to go and sleeps in a public park, where she plants a small garden of her own. Soon a local florist discovers her talents, and Victoria realizes she has a gift for helping others through the flowers she chooses for them. But a mysterious vendor at the flower market has her questioning whats been missing in her life, and when shes forced to confront a painful secret from her past, she must decide whether its worth risking everything for a second chance at happiness.
Publishers Weekly Reviews
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2011-05-30
- Reviewer: Staff
Diffenbaugh's affecting debut chronicles the first harrowing steps into adulthood taken by a deeply wounded soul who finds her only solace in an all-but-forgotten language. On her 18th birthday, Victoria Jones ages out of the foster care system, a random series of living arrangements around the San Francisco Bay Area the only home she's ever known. Unable to express herself with words, she relies on the Victorian language of flowers to communicate: dahlias for "dignity"; rhododendron for "beware." Released from care with almost nothing, Victoria becomes homeless, stealing food and sleeping in McKinley Square, in San Francisco, where she maintains a small garden. Her secret knowledge soon lands her a job selling flowers, where she meets Grant, a mystery man who not only speaks her language, but also holds a crucial key to her past. Though Victoria is wary of almost everyone, she opens to Grant, and he reconnects her with the only person who has ever mattered in her life. Diffenbaugh's narrator is a hardened survivor and wears her damage on her sleeve. Struggling against all and ultimately reborn, Victoria Jones is hard to love, but very easy to root for. (Sept.)BookPage Reviews
Fostering a life in full bloom
Each year, nearly 20,000 young people “age out” of America’s foster care system, and many of them have nowhere to go. Writer Vanessa Diffenbaugh has transformed this sad statistic into an extraordinary debut novel.
The focus of a fierce bidding war among publishers, The Language of Flowers tells the visceral and deeply touching story of Victoria, a teen who has been discharged from foster care, leaving her alone and emotionally barricaded. It’s also a compelling story about spiritual hunger and the power of nature—and human connection—to help heal hearts.
“My book is helping to tell a story that needs to be told.”
“It came pouring out of me,” Diffenbaugh says of the six-month process of writing the book. “It was about a year and a half from the time I started it to the time I sold it. Pretty quick for a first-time novel and a bunch of kids in the house,” Diffenbaugh laughs, as she juggles a bit of background chaos, plus kids and a babysitter’s schedule, at home in Cambridge, Massachusetts.
Set in San Francisco and Napa Valley, The Language of Flowers draws heavily on Diffenbaugh’s upbringing in Northern California, with its fertile farms and vineyards, as well as her experience as a foster parent. Born in San Francisco, she studied creative writing at Stanford and taught art and writing to young people in low-income communities before becoming a full-time parent. She and her husband, PK Diffenbaugh, have two biological children, and have fostered children throughout their marriage. They recently moved from California to Cambridge, first dropping their foster son Tre’von, 18, at New York University, which he is attending on a Gates Millennium Scholarship.
In the novel, Diffenbaugh takes two strands—nature and created family—and spins them into an absorbing story that is as complicated and exhilarating as any human relationship. But instead of reading like a polemic disguised as fiction, The Language of Flowers is full of startling and masterful dialogue, intense, emotional scenes that crackle and come alive as they unspool, and flawed yet sympathetic characters.
“As you can tell, I’m passionate about two things: writing and helping kids in foster care,” Diffenbaugh says. “I could recite statistics that would blow your mind about what is happening to these kids, especially as they emancipate from the system—25 percent become homeless within two years—but you’re not going to . . . feel empowered to do something about it if you haven’t had some kind of connection with a story that helps you feel on an emotional level. My book is helping to tell a story that needs to be told.”
Narrated by Victoria in flashbacks, the novel follows her life as she bounces from one foster situation to the next until she’s emancipated from foster care at 18. Her most significant relationship is with Elizabeth, a gardener who grew up on a Northern California vineyard and is now estranged from her family. Elizabeth introduces her to the Victorian-era symbolism of flowers and their secret meanings, and Victoria embraces it as a way to express difficult emotions to the adults in her life. She describes the situations that led her to become an often abrasive young adult, the self-sabotage that left her homeless in a San Francisco park, and the twists of fate that lead to her work with a high-end city florist and her guarded relationship with a Napa Valley farmer who understands her secret language like no one else.
From the smell of warm summer fruit to the sounds of a busy farmer’s market on a Saturday morning, every scene in the novel feels authentic and immediate. (Red Wagon Productions has optioned the book for a film adaptation.)
Diffenbaugh says the truth about foster care lies somewhere between the frequent demonization of foster children in the media and the rosy picture of fostering a child portrayed in the film The Blind Side.
“We’re all human and we’re all struggling. I didn’t want to end the story tied up with a ribbon, but it’s possible for people to change, it’s possible for people to overcome, it’s possible for people to reconnect even when they’ve been so hurt,” she says. “I wanted to show the whole picture.”
While she’s already working on her next book, Diffenbaugh is also launching a new organization, The Camellia Network, to help build support for young adults leaving foster care. “I think it’s one of the most pressing and most disastrous issues facing foster care right now,” she says.
“In the language of flowers, camellia means ‘my destiny is in your hands,’ and the idea is that we’re all interconnected. The destiny of our country lies in the hands of the youngest citizens.”