Opening in the settlement of Long Grass, Texas not quite in Kansas, and nearly New Mexico we encounter the taciturn Wyatt, whiling away his time in between bottles, and the dentist-turned-gunslinger Doc, more adept at poker than extracting teeth.Read more...
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Opening in the settlement of Long Grass, Texas not quite in Kansas, and nearly New Mexico we encounter the taciturn Wyatt, whiling away his time in between bottles, and the dentist-turned-gunslinger Doc, more adept at poker than extracting teeth. Now hailed as heroes for their days of subduing drunks in Abilene and Dodge more often with a mean look than a pistol Wyatt and Doc are living out the last days of a way of life that is passing into history, two men never more aware of the growing distance between their lives and their legends.
Along with Wyatt's wife, Jessie, who runs the titular saloon, we meet Lord Ernle, an English baron; the exotic courtesan San Saba, "the most beautiful whore on the plains"; Charlie Goodnight, the Texas Ranger turned cattle driver last seen in McMurtry's Comanche Moon, and Nellie Courtright, the witty and irrepressible heroine of Telegraph Days.
McMurtry traces the rich and varied friendship of Wyatt Earp and Doc Holiday from the town of Long Grass to Buffalo Bill's Wild West Show in Denver, then to Mobetie, Texas, and finally to Tombstone, Arizona, culminating with the famed gunfight at the O.K. Corral, rendered here in McMurtry's stark and peerless prose.
With the buffalo herds gone, the Comanche defeated, and vast swaths of the Great Plains being enclosed by cattle ranches, Wyatt and Doc live on, even as the storied West that forged their myths disappears. As harsh and beautiful, and as brutal and captivating as the open range it depicts, The Last Kind Words Saloon celebrates the genius of one of our most original American writers."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2014-02-10
- Reviewer: Staff
McMurtry of Lonesome Dove fame returns to fiction (after Custer) with this uneven portrayal of the frontier friendship between Wyatt Earp and Doc Holliday. McMurtry is a master of colorful character development and snappy dialogue, both nicely showcased here as Wyatt and Doc meander through Texas and Colorado to Arizona, drinking, gambling, whoring, and debating whether or not they ought to shoot folks who annoy them. As these two lethal saddle pals wander the West, McMurtry introduces other real-life figures in side-plots—cattleman Charlie Goodnight; Quanah, the Comanche chief; Satanta, the Kiowa chief; and Buffalo Bill, whose adventures provide some action and humor, but add little to the Earp-Holliday story. McMurtry portrays Doc as a cuddly, funny drunk, but Wyatt is handled much differently. Here Wyatt is depicted as a moody, jealous wife beater, short-tempered and itching to pick a fight with anybody—especially Old Man Clanton and his cattle-thieving family in Tombstone, Ariz. When Wyatt stirs up a fight with the Clantons, an ambush, murder, and a challenge result in deadly powder burning at the O.K. Corral. This whole choppy story leads up to the predictable shoot-out, but McMurtry’s treatment of the Old West’s most famous gunfight is abrupt and unconvincing, taking just eight uninspired sentences to describe. This revisionist western plays loose with historical facts, and is a disappointing effort from a Pulitzer Prize–winning author. (May)