Star of stage, film and television Alan Cumming delivers a virtuoso performance playing every role in the National Theatre of Scotland's bold presentation of Shakespeare's chilling tale of desire, ambition, and the supernatural. Read more...
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More About MacBeth by William Shakespeare; Alan CummingOverviewTony Award winner Alan Cumming in his riveting solo interpretation of Shakespeare's tragedy.
Star of stage, film and television Alan Cumming delivers a virtuoso performance playing every role in the National Theatre of Scotland's bold presentation of Shakespeare's chilling tale of desire, ambition, and the supernatural.
This radical reimagining of one of Shakespeare's most deeply psychological plays is set in a psychiatric unit in which Cumming is the lone patient. Channeling the story of Macbeth, he is inhabited in turn by each of the characters of the drama, including some of Shakespeare's most complex and troubled creations.
Cumming's one-man interpretation of Shakespeare's Scottish play comes to audio directly from acclaimed limited stage engagements with the National Theatre of Scotland in Glasgow and at New York's Lincoln Center. Directed for audio by the stage production's renowned directors, this exclusive studio recording of Cumming's dazzling solo performance captures the excitement, passion and poetry of a wildly original tour-de-force that is destined to become theatrical legend.
Publishers Weekly Reviews
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2012-08-27
- Reviewer: Staff
Shakespeare's tragedy about the ill-fated thane of Cawdor is brought to life via this one-man interpretation from Alan Cumming. Motivated by his scheming wife, Macbeth lusts for and then takes power, which leads to regicide and his own undoing. Building upon his performance in the audio edition of A.J. Hartley and David Hewson's Macbeth: A Novel, Cumming executes a captivating solo performance of this classic play. With an authentic Scottish accent, Cumming ably embodies Lord Macbeth. He shifts from character to character seamlessly, capturing the tone, attitude, and emphasis of each, while providing an increasing intensity that conveys the reprehensible, irreparable nature of the title character's actions. In addition to embracing the various characters, Cumming's powerful performance even elevates the play's stage directions, which—rather than feeling like crude interruptions to the dialogue—slip in smoothly like the knife used to slay King Duncan. (July)