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The Marbled Swarm
by Dennis Cooper


Overview - Literary cult hero Dennis Cooper delivers his highlyanticipated new novel. Written in a voice that is lush and intricate, TheMarbled Swarm is Dennis Cooper's most accomplished (and most beguiling)work to date. Cooper tells the story of a man who secretly influences his sonto commit a grisly act.  Read more...

 
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More About The Marbled Swarm by Dennis Cooper
 
 
 
Overview
Literary cult hero Dennis Cooper delivers his highlyanticipated new novel. Written in a voice that is lush and intricate, TheMarbled Swarm is Dennis Cooper's most accomplished (and most beguiling)work to date. Cooper tells the story of a man who secretly influences his sonto commit a grisly act. Justin Taylor, author of The Gospel of Anarchy, calls The Marbled Swarm "a mindbendingmasterpiece . . . vivid, slippery, ferocious, and rich with secrets. Nobody elsecould have written this novel and nothing else like it exists." Cooper, following his collections Smothered in Hugs and Ugly Man, offershis fans the expansive novel they have been waiting for--one that will become atouchstone of outsider literature.

 
Details
  • ISBN-13: 9780061715631
  • ISBN-10: 0061715638
  • Publisher: Harper Perennial
  • Publish Date: November 2011
  • Page Count: 208
  • Dimensions: 7.8 x 5.3 x 0.6 inches
  • Shipping Weight: 0.35 pounds

Series: P.S.

Related Categories

Books > Fiction > General
Books > Fiction > Literary

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2011-09-19
  • Reviewer: Staff

Full of peepholes—bodily and architectural—Cooper’s twisting, twisted novel, set in contemporary Parisian lofts and French countryside chateaus, brings to mind the fractured narratives of Alain Robbe-Grillet and the sexual intensity of the Marquis de Sade. The nameless, untrustworthy narrator travels from Paris to northern France to view a villa for sale, which seems above board until the talk turns from real estate to the current owner’s recently deceased son and the narrator’s intense interest in the son that remains, 14-year-old Serge. The narrator dips and weaves in and out of the present as he talks around his designs on Serge, which go beyond rough sex into the entirely unexpected realm of murder and cannibalism. When the narrator recounts the “marbled swarm,” a loquaciously bombastic manner of speaking learned from his father, the act of storytelling itself is called into question. In addition to double-speak and red herrings, the narrator also inherited a penchant for secret passageways, spying, and cruelty. Almost every physical structure has hidden catacombs within, mirroring the narrative layers, the stories within stories. The sex—more often rape—is graphic and Cooper doesn’t always justify the shock. (Nov.)

 
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