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The Masterpiece
by Fiona Davis


Overview - In her latest captivating novel, nationally bestselling author Fiona Davis takes readers into the glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them.  Read more...

 
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More About The Masterpiece by Fiona Davis
 
 
 
Overview
In her latest captivating novel, nationally bestselling author Fiona Davis takes readers into the glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them.

For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different.

For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come.

Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece--an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.

 
Details
  • ISBN-13: 9781524742959
  • ISBN-10: 1524742953
  • Publisher: Dutton Books
  • Publish Date: August 2018
  • Page Count: 368
  • Dimensions: 9 x 5.9 x 1.4 inches
  • Shipping Weight: 1.2 pounds


Related Categories

Books > Fiction > Historical - General
Books > Fiction > Mystery & Detective - General
Books > Fiction > Literary

 
BookPage Reviews

An empty space where her portrait should hang

Fiona Davis has established herself as a master of historical settings and fictional recollections of those worlds. Her debut, The Dollhouse, pulled readers into a long-kept secret at New York City’s Barbizon Hotel for Women. Davis’ sophomore effort, The Address, explored Manhattan’s Dakota apartment building and the lives lived there, separated by a century. And with The Masterpiece, Davis shows yet again that New York’s historic structures are apt settings for intrigue.

Grand Central Terminal once served not only as a temple of travel but also as the home for the Grand Central School of Art, where (mostly male) artists lived bohemian lives with the prestigious school at their center. In Davis’ story, a sole female teacher, Clara Darden, struggles to make her way as an artist in a decisively male-dominated world. She sees some success as an illustrator, but there’s no trace of Clara after 1931.

Some 35 years later, the terminal is no longer the architectural masterpiece it once was. After her divorce, single mother Virginia Clay finds temporary work at Grand Central’s information booth. The job begins as a way to stay afloat, but when Virginia stumbles upon the art school, abandoned in 1944, she becomes obsessed with both learning its history and saving the transportation hub in which it resides.

Davis expertly switches between the lives of Clara and Virginia, weaving their struggles for independence and security with Grand Central’s history. Readers will be drawn into the lives of these remarkable women—and, alongside Virginia, into the mystery of what happened to Clara.

 

This article was originally published in the August 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 
BAM Customer Reviews