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The Mirror Thief
by Martin Seay


Overview - A globetrotting, time-bending, wildly entertaining masterpiece hailed by the New York Times Book Review as "Audaciously well written...the book I was raving about to my friends before I'd even finished it."

Publishers Weekly raved that "with near-universal appeal .  Read more...


 
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More About The Mirror Thief by Martin Seay
 
 
 
Overview
A globetrotting, time-bending, wildly entertaining masterpiece hailed by the New York Times Book Review as "Audaciously well written...the book I was raving about to my friends before I'd even finished it."

Publishers Weekly raved that "with near-universal appeal . . . Seay's debut novel is a true delight, a big, beautiful cabinet of wonders that is by turns an ominous modern thriller, a supernatural mystery, and an enchanting historical adventure story." Set in three cities in three eras, The Mirror Thief calls to mind David Mitchell and Umberto Eco in its mix of entertainment and literary bravado.

The core story is set in Venice in the sixteenth century, when the famed makers of Venetian glass were perfecting one of the old world's most wondrous inventions: the mirror. An object of glittering yet fearful fascination--was it reflecting simple reality, or something more spiritually revealing?--the Venetian mirrors were state of the art technology, and subject to industrial espionage by desirous sultans and royals world-wide. But for any of the development team to leave the island was a crime punishable by death. One man, however--a world-weary war hero with nothing to lose--has a scheme he thinks will allow him to outwit the city's terrifying enforcers of the edict, the ominous Council of Ten . . .

Meanwhile, in two other Venices--Venice Beach, California, circa 1958, and the Venice casino in Las Vegas, circa today--two other schemers launch similarly dangerous plans to get away with a secret . . .

All three stories will weave together into a spell-binding tour-de-force that is impossible to put down--an old-fashioned, stay-up-all-night novel that, in the end, returns the reader to a stunning conclusion in the original Venice . . . and the bedazzled sense of having read a truly original and thrilling work of art.


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Details
  • ISBN-13: 9781612195148
  • ISBN-10: 1612195148
  • Publisher: Melville House Publishing
  • Publish Date: May 2016
  • Page Count: 592
  • Dimensions: 9.1 x 6.1 x 1.9 inches
  • Shipping Weight: 1.65 pounds


Related Categories

Books > Fiction > Mystery & Detective - Historical
Books > Fiction > Visionary & Metaphysical

 
BookPage Reviews

A delightfully ambitious debut

No one can accuse Martin Seay of lacking ambition. His first novel, The Mirror Thief, is a 600-page thrill ride across three centuries and two continents. But this is hardly a punishment for readers. It’s a workout, but of the intellectual kind: part crime thriller and part meditation on poetry, with unexpected plot twists and references to famous figures as diverse as the French dramatist Antonin Artaud and Jay Leno.

The action moves back and forth among three different parts of the world and three distinct eras. In 2003, on the eve of the second Gulf War, Curtis Stone, a 40-year-old African-American ex-Marine, arrives in Las Vegas from his Philadelphia home. A club owner named Damon has hired Curtis to search for gambler Stanley Glass, ostensibly to collect on a marker. Curtis has trouble locating the elusive Stanley, but he finds one of Stanley’s treasured possessions: a slender volume of poems, “The Mirror Thief,” written in 1958 by a proto-beatnik named Adrian Welles.

Cut to 1958, when Stanley, a 16-year-old card sharp fresh off the train from Staten Island, shows up in Malibu, California, in hope of meeting Welles. Stanley, who adores Welles’ poems, wants to talk about “The Mirror Thief” and its mysterious subject: a 16th-century alchemist named Crivano. The novel’s wildly ambitious third segment takes us to Venice in 1592, where a sultan has sent the murderous Crivano to “locate craftsmen adept at fashioning the flawless mirrors for which every civilized land celebrates the isle of Murano, and return with those craftsmen to the Ottoman court.”

The Mirror Thief is overstuffed with incident and period detail, but it’s still an impressive feat of imagination. Much of this book, Seay seems to be saying, is like one’s reflection in a mirror: What you see in front of you isn’t the whole story.

 

This article was originally published in the May 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

 
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