Khaled Hosseini, the #1 "New York Times"-bestselling author of "The Kite Runner "and "A Thousand Splendid Suns," has written a new novel about how we love, how we take care of one another, and how the choices we make resonate through generations. Read more...
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Khaled Hosseini, the #1 "New York Times"-bestselling author of "The Kite Runner "and "A Thousand Splendid Suns," has written a new novel about how we love, how we take care of one another, and how the choices we make resonate through generations. In this tale revolving around not just parents and children but brothers and sisters, cousins and caretakers, Hosseini explores the many ways in which families nurture, wound, betray, honor, and sacrifice for one another; and how often we are surprised by the actions of those closest to us, at the times that matter most. Following its characters and the ramifications of their lives and choices and loves around the globe--from Kabul to Paris to San Francisco to the Greek island of Tinos--the story expands gradually outward, becoming more emotionally complex and powerful with each turning page.
"Spectacular....Hosseini's writing makes our hearts ache, our stomachs clench and our emotions reel." -USA Today
"Just as good, if not better, than Hosseini's best-selling first book, The Kite Runner." -Newsweek
"A powerful book...no frills, no nonsense, just hard, spare prose...an intimate account of family and friendship, betrayal and salvation that requires no atlas or translation to engage and enlighten us." -The Washington Post Book World
Click Here to Read a Q & A with author Khaled Hosseini
Publishers Weekly Reviews
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-03-18
- Reviewer: Staff
Hosseini’s third novel (after A Thousand Splendid Suns) follows a close-knit but oft-separated Afghan family through love, wars, and losses more painful than death. The story opens in 1952 in the village of Shadbagh, outside of Kabul, as a laborer, Kaboor, relates a haunting parable of triumph and loss to his son, Abdullah. The novel’s core, however, is the sale for adoption of the Kaboor’s three-year-old daughter, Pari, to the wealthy poet Nila Wahdati and her husband, Suleiman, by Pari’s step-uncle Nabi. The split is particularly difficult for Abdullah, who took care of his sister after their mother’s death. Once Suleiman has a stroke, Nila leaves him to Nabi’s care and takes Pari to live in Paris. Much later, during the U.S. occupation, the dying Nabi makes Markos, a Greek plastic surgeon now renting the Wahdati house, promise to find Pari and give her a letter containing the truth. The beautiful writing, full of universal truths of loss and identity, makes each section a jewel, even if the bigger picture, which eventually expands to include Pari’s life in France, sometimes feels disjointed. Still, Hosseini’s eye for detail and emotional geography makes this a haunting read. Agent: Elaine Koster, Elaine Koster Agency. (May)BookPage Reviews
Trading lives, trading worlds
If you could guarantee your child a rich life in exchange for forfeiting your right to see her, would you do it? The question informs the engrossing new novel by Afghan-American author Khaled Hosseini, whose surprise international bestseller, The Kite Runner, so enchanted readers 10 years ago.
The child in question is Pari, whose long-suffering father arranges her adoption by a well-to-do Afghan and his half-French wife, Nila. Pari’s brother Abdullah stays behind, and their fates diverge in predictable ways: Pari becomes a professor of mathematics while Abdullah ends up selling kabobs.
The novel jumps backward and forward in time, with settings as diverse as Monterey, Paris, Kabul and Athens. The relationships between the far-flung cast members—including Idris, an Afghan-American physician, modeled probably on Hosseini himself; a Greek plastic surgeon and adventure photographer; a former Afghan jihadi and his iPod-toting son—are sometimes obscure. But the female characters steal the show, most notably Nila, who gleefully explodes the stereotype of the downtrodden Afghan woman. An acclaimed poet, as fond of men as she is enslaved to Chardonnay, she evokes a time when Kabul was downright chic.
Then there’s the flip side of the book’s opening dilemma. Having escaped, what obligation does one have to the motherland? Can an expat enjoy success when his or her country so desperately needs help? “For the price of that home theater,” Idris muses, “we could have built a school in Afghanistan.” After a trip back, he experiences worse culture shock upon returning to America, a situation familiar to anyone with experience in both countries. Ultimately Idris decides that Afghanistan was “something best forgotten.” But his story also suggests that life in America, with its stresses and mass distractions, is no Elysium either.
Do Pari and Abdullah reunite? Hosseini certainly isn’t given to facile resolutions. To the distances of space the novel adds the ravages of age. Ultimately, And the Mountains Echoed is about the human endeavor to transcend differences.