Museum of the Weird
Overview - Winner of FC2 s American Book Review/Ronald Sukenick Innovative Fiction Prize A monogrammed cube appears in your town. Your landlord cheats you out of first place in the annual Christmas decorating contest. You need to learn how to love and care for your mate a paring knife. Read more...
More About Museum of the Weird by Amelia Gray
Winner of FC2 s American Book Review/Ronald Sukenick Innovative Fiction Prize
A monogrammed cube appears in your town. Your landlord cheats you out of first place in the annual Christmas decorating contest. You need to learn how to love and care for your mate a paring knife. These situations and more reveal the wondrous play and surreal humor that make up the stories in Amelia Gray s stunning collection of stories: Museum of the Weird.
Acerbic wit and luminous prose mark these shorts, while sickness and death lurk amidst the humor. Characters find their footing in these bizarre scenarios and manage to fall into redemption and rebirth. Museum of the Weird
invites you into its hallways, then beguiles, bewitches, and reveals a writer who has discovered a manner of storytelling all her own."
- ISBN-13: 9781573661560
- ISBN-10: 1573661562
- Publisher: F2c
- Publish Date: September 2010
- Page Count: 171
- Dimensions: 8.4 x 5.4 x 0.6 inches
- Shipping Weight: 0.52 pounds
Books > Fiction > Short Stories (single author)
Publishers Weekly Reviews
Publishers Weekly® Reviews
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Cannibalism, serial killing, a snake farm, and medical oddities are among the topics covered in Gray's (AM/PM) award-winning second collection. Resisting conventional advice as to what should serve as legitimate fuel for fiction, Gray allows taboos and curiosities (including animals conversing in a bar) to hold court with viscerally affecting scenarios that rival Ripley's Believe-it-or-Not. A delicious taste for the absurd (a man who marries a bag of frozen tilapia; a woman who births a child per day over the course of several days) results in an accomplished take on the increasingly popular flash fiction form. Gray's 24 tales go well beyond the amuse-bouche, presenting eclectic personas with a macabre wit, challenging readers to suspend their disbelief, and mining deep emotional reserves beneath initially eye-catching material. What could be mistaken for sameness is instead a purposeful vision, relentless in its inquisitive march along the fringes of human solitude. A veteran of the small presses (having published stories in American Short Fiction, McSweeney's online, Guernica, and many others), Gray deserves greater recognition. (Sept.)